Posts Tagged ‘Terminator’

Previously on…

Monday, January 11th, 2010

I have a question and I’m putting it to you, or at least those of you with experience in the scripted television industry.

I wrote a spec for TERMINATOR: THE SARAH CONNOR CHRONICLES and I’m getting ready to submit it to a management company. That show, along with most hour-long scripted shows these days, is heavily serialized. Therefore, should I include a paragraph to catch up the reader, something akin to the “previously on…” most shows employ, like this example from FRINGE?

Also, if my spec occurs at a specific point in the show’s chronology, should I point that out? For example, “this takes place just after episode 3 of the second season”.

Thoughts?

New Goals 2010

Monday, January 4th, 2010

I don’t do New Year’s resolutions but I find it important to have goals and reevaluate them at least annually. Last year I had many goals and like a lot of folk I enjoyed some success and some failure. I know that’s not a very American thing to admit but if you work in the entertainment industry rejection is a fact of life. That’s okay. You just have to take another whack at that piƱata. Maybe you’ll hit it dead center, maybe you’ll just graze it but you always gotta take another swing. That’s success. Plus it’s important to bite off more than you can chew.

But enough of the aphorisms, let’s get back on topic. What are my goals for the new year?

Write Another TV Spec – Last year I managed to successfully write a TERMINATOR: THE SARAH CONNOR CHRONICLES spec. It placed in the Austin Teleplay contest, was strongly considered for writing fellowships at both Warners and ABC/Disney and a management company is considering me for representation so only good has come of it (plus it was incredibly fun to write). That’s why I want to write another TV spec. I was planning a DOLLHOUSE but now that it has been canceled I’m down to a couple of options. I feel confident that I could write a strong FRINGE or CHUCK. I have to catch up on watching the 2nd season of both but let me get a show of hands from my readers. As you’ll see on the sidebar of my blog’s homepage, I’ve created a poll asking you which I should write. I’m looking forward to your vote. Also, a free beer to anyone that can draw a tie between those two shows (why is it that I feel I can write either of those particular shows?).

Finish My Feature – It’s embarrassing but my first feature has just been sitting there. Yes, it was a hard 2009 and a personal tragedy late in the year really rocked my world but if I don’t do this I’ll only beat myself up more and that yields no good. Besides, finishing this thing is one of the keys to taking the next big step in my career…

Get Hired to Direct – I don’t care if it’s another person’s project or my own, I gotta make this happen. I have to hustle this up for myself. This is mandatory.

Get My Transmedia Project Up & RunningThis is another project that’s just hung in limbo. I now have the HDD I need so there’ll be few excuses for me to not get editing what we’ve shot… but we also need to set up our web presence and strategize our development, following a model similar to THE GUILD (BTW, using “we” just now was not a mistake).

Write a Feature Script – I’ve been working on an idea for a while, now it’s time to develop the outline and then crack open Final Draft.

Develop a TV Pilot – If I’ll be writing another TV spec, I need to have a strong idea for a new show. Here’s where things get a bit tricky. That feature film idea I just mentioned, I think it’d also work as a television show, maybe even be better as a TV show. Unfortunately, I don’t know anything about developing a TV show treatment/pitch and I feel like I owe it to myself to do the feature version first. And heck, if it doesn’t work then I can revamp it as a show ala GLEE. Maybe I should start with my web series idea and just practice serialized short-form storytelling. Maybe you’re wondering why I don’t develop this into a TV pitch? Because it’s raw, crude, funny and skirts the law. How bad to do you want to see my web series now?

And like the rest of the world, I have a laundry list of personal goals. Last year I was rather vague but how about I get specific? This year I’d like to…

  1. Take up a sport.
  2. Use my passport to leave this hemisphere.
  3. Jump out of a plane.
  4. Take a class that isn’t related to filmmaking or computers.
  5. Buy a new acoustic guitar so I can start playing again.
  6. Read four books that have just been sitting on my shelf.
  7. Invest my savings more aggressivly.
  8. Finally go out with Micki.

I’m sure I’ll come up with more but that should occupy my January.

;)

And you? What are your goals?

I Heart Bad Ass Sci-Fi Chicks

Thursday, November 12th, 2009

But according to Variety I’m the only one because Fox just canceled DOLLHOUSE. Well, at least this time they cancelled the show before I wrote the spec.

Yes, I miss TERMINATOR: THE SARAH CONNOR CHRONICLES.

Granted, DOLLHOUSE had a rough start but the series did improve with each episode. Plus how could you cancel this?

Dollhouse01Dollhouse02Dollhouse03
Dollhouse04Dollhouse05Dollhouse06
Dollhouse07Dollhouse08Dollhouse09

So I guess this means I better get cracking on my CHUCK or FRINGE spec before they cancel one of those. Also, I should start watching FLASH FORWARD and V before they suffer a similar fate.

Time to write!

Mini Meetings

Thursday, October 8th, 2009

Wondering about the radio silence? Yes, I am back from all my travels but I’m also attending the Filmmaker Forum by Film Independent this weekend. It’s a 2-day seminar on the current-yet-always-evolving state of independent film.

I know, I know, you’re saying “attending a seminar shouldn’t preclude you from blogging regularly” but I also I signed up for their IndieLink. Normally an IndieLink is a moderated meet-and-greet between two groups of up-and-comping professionals. For example, they regularly have ones where directors and producers get together with composers.

For the Filmmaker Forum, they’re a bit differnt. This time around they’re 10-minute meetings with industry professionals. I sent in my preferences expecting to maybe get one meeting but probably get shutout.

Imagine my surprise when I scored four big meetings. This Saturday, in the space of one hour, I’m meeting with a distributor, a creative executive, an agent and a hybrid distribution consultant.

Therefore, I’ve been doing my homework for the past few days. I’ve been studying up on the kinds of films they package/sell/distribute. I’ve also been trying to figure out how I want to spend my time with them and how to make their time with me, at the very least, pleasant.

In ten minutes, I have to tell them how awesome I am without coming off as an arrogant or clueless jerk. I also have to tell them about one rad project I’m working on, a project that will prove to them that I’m a filmmaker they should want to track.

I think I have a strategy.

  • For the distributor, I can talk about my recently shot feature, ask what kind of distribution is typical for a film of its size and how I can best position my film (as is) for niche distributors.
  • For the hybrid distribution consultant I can also talk about my feature but I also have a multimedium project (aka, transmedia) that I can mention. I’ll be sure to ask about the possibilities/realities of generating revenue for such a project through non-traditional streams, how to maximize social media exposure and the possibilities of sponsorships (I keep thinking Nerve or Match might be a good fit for my feature).
  • As for the CE, I can talk about my feature as well as these two scripts I’m cooking up; one a twist on the bromance genre and the other a haunted house/possession story.
  • As for the agent, I should cover the aforementioned projects while also talking about my recently completed TERMINATOR: THE SARAH CONNOR CHRONICLES spec and the CHUCK and/or FRINGE spec I’ll write next… but of course I’d rather be directing those shows.
  • I have to engage these people, get their advice and expertise, while pitching myself (and my works, both current and future) without coming off as a desperate creative.

    So, is there something I’m missing? Am I misguided in my logic and approach? What’s your advice?

    You Will Read My F**king Script!

    Friday, September 11th, 2009

    Everyone is buzzing about this Village Voice article. Why? I think it’s because in the age of Reality TV Celebutantes sex tapes we love watching idiots make asses of themselves but let’s save that for later.

    First, let me say that “I get it.” When I recently turned in my TERMINATOR: THE SARAH CONNON CHRONICLES TV spec for contests, I suffered over every sentence, every word. Not only did I employ all of John August’s tips but I also read it from last page to first and I reread the first ten pages ten times more than the rest of the script. If I go back and find I dropped an apostrophe from a contraction, I want to commit seppuku in the shower.

    But that’s not everyone’s policy. Terrible writing chocked full of grammar and spelling mistakes isn’t just for the amateur either. I once worked for a small indie film production company run by a titan in the field and they asked me to clean up a certain filmmaker’s script before it went out. This writer/director, who shall go unnamed but I will say that he won Sundance, became an overnight success, still makes films and now also stars in big Hollywood productions, handed in a script that looked like it was typed up by a retarded orangutan. I, who am not an expert in grammar, could spot the syntactical carnage miles from the page… but I digress.

    I get why this guy doesn’t want to read your script. No one wants to hear the truth. I know. The older I get the more honest I get and the more folk look hurt when I give them said honesty but in this industry you gotta develop thick skin. There’s a reason that all the filmmakers that make it are jerks.

    But does this guy have to be such a douche? Maybe. But do I want to hear him rant about it? Let me say this: yes, that guy was a dick for cornering you but you are a dick for writing this article. Hey, I’m sorry if your diamond slippers are too tight. Might I help you slide them off with a chainsaw?

    That’s what I thought.

    “No” Means “Try Harder”

    Thursday, September 3rd, 2009

    Before I get bombarded by some womyns group, let me assure you that 1) my momma raised a good boy and 2) I’m talking about perseverance in the film industry.

    I know it’s frowned upon to share defeat but it’s the reality of working as a creative in the movie industry. Recently, I suffered two hits.

    First, the spec commercial I made for the Amazon “Make-Your-Own-Ad” contest wasn’t chosen for one of the top 5 spots. I have no idea how many entries there were but I would assume a lot of people would take a shot at $20k.

    Second, I topped out at the second round of the Austin Teleplay competition. They did send a letter saying that making the second round means I was in the top 10%. Someone even took the time to send me a hand written note with the form letter congratulating my courage for writing on a new show (the recently canceled TERMINATOR: THE SARAH CONNOR CHRONICLES).

    Obviously I’m bummed but if I dwell on the negative while trying to hack my way into this industry, I’d have committed suicide a long time ago. No, instead I take great pride in the work I’ve done, add it to the portfolio and move on to the next short (an actress from my Amazon spec pitched me an idea) and spec teleplay (I’m pretty sure it’ll be a FRINGE but I’m considering a DOLLHOUSE or possibly an EASTBOUND & DOWN).

    As I say to my colleagues, I must heed as well: Chin up, gather your strength and keep moving forward.

    My Summer 2009

    Monday, August 31st, 2009

    As the summer of 2009 draws to a close, allow me a few minutes to look back at what I did for my summer vacation.

    Vacation? Bull! I worked my ass off this summer (and I managed to have some fun, too). What did I do this summer?

    1. I wrote my first TV spec for the now canceled TERMINATOR: THE SARAH CONNOR CHRONICLES.
    2. I found an editor for my feature.
    3. I shot a live-action/stop-motion spec for Amazon.
    4. I went to my first Comic-Con.
    5. I went to my first Tiki Oasis.
    6. I shot the first material for my multi-medium project.
    7. I directed scenes for an actor’s reel.
    8. I saw The Kills, Neko Case, Death Cab for Cutie and Andrew Bird in concert.

    I’d say that’s a pretty damn productive summer.

    21 July 2009 Update

    Tuesday, July 21st, 2009

    A quick what-I’ve-been-up-to-and-will-be-up-to:

  • Mailed off my TSCC spec to the Warner Bros Writers Workshop.
  • Recorded character voices for my Amazon spec. Thanks to Curtiss, Dan, Karina & Michael.
  • Gathering supplies for stop motion/live action shoot. Still need 1GB CF card, Nikon DSLR battery, HDV tape, wire (is that crafts store or hardware store?) and sleep.
  • Still need to plan my Comic-Con. Marcos, Tina, David G., expect an email from me. Anyone else want to offer advice or let me know what I should check out?
  • Beat the heat. So hot in my room yesterday that I lost a couple pounds and my hand started trembling.
  • And so ends today’s update. FYI, I’ll try to blog more consistently from Comic-Con. Over and out.

    2009 Midyear Update

    Saturday, July 4th, 2009

    Six months into 2009, I think it’s time to check in with those goals I set for myself back in January.

    Getting Back in the Directing Chair – Sadly, I haven’t directed anything since I wrapped my film at the end of last year. I was hoping to direct a web series I’d been developing with a troupe of actors but that fell through. I’d like to get something under my belt before the end of the year, maybe a spec spot or a short doc, but at this point…

    Write Two Features and One Teleplay – There is cause to celebrate here. I finally finished my TERMINATOR: THE SARAH CONNOR CHRONICLES spec.

    Cameron-TSCC.jpg

    Once I broke the story, the script came easily. And I gotta say I kinda enjoyed it. I really think I might give it another go later this year with a FRINGE spec.

    fringe_poster.jpg

    Oh, and for those wondering what I do with a T:SCC spec, so far I’ve submitted to the Austin Film Festival Teleplay Competition and the Disney/ABC Television Writing Fellowship and soon I’ll be sending it to the Warner Brothers Writers Workshop.

    As for writing a new feature script, I always have to consider what I’ll direct next. I have a few ideas simmering. Basically, I’m deciding between a sequel to the film I just shot, a zombie flick, a coming-of-age comedy and a twist on the bromance movie. Of the ideas I just listed, each one gets increasingly bigger and I think that affects my ability to set them up as my next directing gig. I’m also working on a web-series of my own that I can’t talk about (it’s sorta a legal thing).

    Network More – I’ve been trying to reach out to folks but there’s plenty of room for improvement. I am also on the verge of re-styling my website and then possibly this blog (more computer stuff to learn).

    Work on Pitching – Yeah, I haven’t really worked on that.

    As for my other non-film related goals, I haven’t achieved any of them. I’ve been swamped with work since the year started. But I am teaching myself After Effects and I’m learning how to use the Magic Bullet Suite.

    Lastly, I hope you have a happy and safe 4th of July.

    My First TV Spec

    Monday, June 8th, 2009

    For a while now I’ve wanted to try my hand at writing a television spec but I didn’t really watch TV so I never found a show I was comfortable diving into until I caught TERMINATOR: THE SARAH CONNOR CHRONICLES.

    TSCC-poster_sm.jpg

    Soon after the series kicked off, I had a kernel of an idea for a script but I couldn’t break the story. Everything I hashed out didn’t fit the tone of the series and speccing TV is all about writing with the show’s voice. It was always “on again, off again” until May 12th. That day I received an email from the Austin Film Festival informing me that they’d extended the deadline for their teleplay contest to June 8. Okay, that gives me a deadline but I still hadn’t figured out the story. Then one morning as I was in the shower, BAM–I cracked the story wide open. That was May 17th. May 18th, Fox cancels the show.

    This is the point when I should have thrown in the towel. But I kept hearing Brian Peterson saying that “TV writers get 2 weeks to write a script but sometimes they only get 3 days so if you can’t write fast, you don’t belong in television.”

    Suddenly I had something to prove to myself.

    By May 26th I had a 5-page outline. By June 1st I finished my first draft of the script. I took 4 days for the first rewrite and just 2 for the second. June 8th I rushed down to the WGA to register the script. 15 minutes later I was in line at my local post office.

    For a recap:

  • 9 days to a 5-page outline
  • 6 days to a 60-page script
  • 6 days to pound through two rewrites before sending it off
  • I know that isn’t a world record (you all know the ROCKY story, right?) and writing shouldn’t be a race but sometimes it is and it feels damn good to cross the finish line.

    Now, time to sleep.

    No, wait, time to sync hours of footage.

    No, first some sleep.