So someone created a website where you can upload clips and it’ll edit them into a video for you.
Um, why isn’t this a bigger story? Why aren’t more people FREAKING OUT?!
Apparently they churn out a montage set to music but the company claims their algorithms can analyze your footage and pick out the most interesting parts.
Am I the only person that feels like we’re one step closer to Judgment Day?
When I say public spanking, I know you’re thinking of this…
But that’s not what I’m talking about. No, I’m talking about a critique I received on my TERMINATOR: THE SARAH CONNOR CHRONICLES spec. As you might remember, I entered my spec into the Austin Teleplay competition. I received my rejection letter with the requisite “thanks for trying, better luck next time” paragraph and that was that.
So imagine my surprise when I received a brief one-page write up. This one-page write up.
Now, allow me to address some of their points.
I thank the AFF for the comments. They should look forward to a FRINGE or CHUCK next year… unless I get hired or into the Disney/ABC Writing Fellowship.
(Fingers crossed)
… to be completely honest, I first wrote that post a long, LONG time ago. At some point after getting those notes from the AFF (I’m still waiting for word regarding the fate of my feature), I let a friend, who’s also a TV producer (he spent a long time on a very successful but recently cancelled network show), read my TSCC spec. Here are his notes.
And now you’ve read all the notes I’ve received on that spec, which I’m damn proud of. As I write more TV specs, I suspect my TSCC script will disappear into some never-to-be-opened folder on my laptop. At that point, I might post it here for people to read. Until then, you’ll just have to speculate about a not-too-distant future where computers and robots become self-aware.
I have a question and I’m putting it to you, or at least those of you with experience in the scripted television industry.
I wrote a spec for TERMINATOR: THE SARAH CONNOR CHRONICLES and I’m getting ready to submit it to a management company. That show, along with most hour-long scripted shows these days, is heavily serialized. Therefore, should I include a paragraph to catch up the reader, something akin to the “previously on…” most shows employ, like this example from FRINGE?
Also, if my spec occurs at a specific point in the show’s chronology, should I point that out? For example, “this takes place just after episode 3 of the second season”.
Thoughts?
I don’t do New Year’s resolutions but I find it important to have goals and reevaluate them at least annually. Last year I had many goals and like a lot of folk I enjoyed some success and some failure. I know that’s not a very American thing to admit but if you work in the entertainment industry rejection is a fact of life. That’s okay. You just have to take another whack at that piñata. Maybe you’ll hit it dead center, maybe you’ll just graze it but you always gotta take another swing. That’s success. Plus it’s important to bite off more than you can chew.
But enough of the aphorisms, let’s get back on topic. What are my goals for the new year?
Write Another TV Spec – Last year I managed to successfully write a TERMINATOR: THE SARAH CONNOR CHRONICLES spec. It placed in the Austin Teleplay contest, was strongly considered for writing fellowships at both Warners and ABC/Disney and a management company is considering me for representation so only good has come of it (plus it was incredibly fun to write). That’s why I want to write another TV spec. I was planning a DOLLHOUSE but now that it has been canceled I’m down to a couple of options. I feel confident that I could write a strong FRINGE or CHUCK. I have to catch up on watching the 2nd season of both but let me get a show of hands from my readers. As you’ll see on the sidebar of my blog’s homepage, I’ve created a poll asking you which I should write. I’m looking forward to your vote. Also, a free beer to anyone that can draw a tie between those two shows (why is it that I feel I can write either of those particular shows?).
Finish My Feature – It’s embarrassing but my first feature has just been sitting there. Yes, it was a hard 2009 and a personal tragedy late in the year really rocked my world but if I don’t do this I’ll only beat myself up more and that yields no good. Besides, finishing this thing is one of the keys to taking the next big step in my career…
Get Hired to Direct – I don’t care if it’s another person’s project or my own, I gotta make this happen. I have to hustle this up for myself. This is mandatory.
Get My Transmedia Project Up & Running – This is another project that’s just hung in limbo. I now have the HDD I need so there’ll be few excuses for me to not get editing what we’ve shot… but we also need to set up our web presence and strategize our development, following a model similar to THE GUILD (BTW, using “we” just now was not a mistake).
Write a Feature Script – I’ve been working on an idea for a while, now it’s time to develop the outline and then crack open Final Draft.
Develop a TV Pilot – If I’ll be writing another TV spec, I need to have a strong idea for a new show. Here’s where things get a bit tricky. That feature film idea I just mentioned, I think it’d also work as a television show, maybe even be better as a TV show. Unfortunately, I don’t know anything about developing a TV show treatment/pitch and I feel like I owe it to myself to do the feature version first. And heck, if it doesn’t work then I can revamp it as a show ala GLEE. Maybe I should start with my web series idea and just practice serialized short-form storytelling. Maybe you’re wondering why I don’t develop this into a TV pitch? Because it’s raw, crude, funny and skirts the law. How bad to do you want to see my web series now?
And like the rest of the world, I have a laundry list of personal goals. Last year I was rather vague but how about I get specific? This year I’d like to…
I’m sure I’ll come up with more but that should occupy my January.
And you? What are your goals?
But according to Variety I’m the only one because Fox just canceled DOLLHOUSE. Well, at least this time they cancelled the show before I wrote the spec.
Yes, I miss TERMINATOR: THE SARAH CONNOR CHRONICLES.
Granted, DOLLHOUSE had a rough start but the series did improve with each episode. Plus how could you cancel this?
So I guess this means I better get cracking on my CHUCK or FRINGE spec before they cancel one of those. Also, I should start watching FLASH FORWARD and V before they suffer a similar fate.
Time to write!
Wondering about the radio silence? Yes, I am back from all my travels but I’m also attending the Filmmaker Forum by Film Independent this weekend. It’s a 2-day seminar on the current-yet-always-evolving state of independent film.
I know, I know, you’re saying “attending a seminar shouldn’t preclude you from blogging regularly” but I also I signed up for their IndieLink. Normally an IndieLink is a moderated meet-and-greet between two groups of up-and-comping professionals. For example, they regularly have ones where directors and producers get together with composers.
For the Filmmaker Forum, they’re a bit differnt. This time around they’re 10-minute meetings with industry professionals. I sent in my preferences expecting to maybe get one meeting but probably get shutout.
Imagine my surprise when I scored four big meetings. This Saturday, in the space of one hour, I’m meeting with a distributor, a creative executive, an agent and a hybrid distribution consultant.
Therefore, I’ve been doing my homework for the past few days. I’ve been studying up on the kinds of films they package/sell/distribute. I’ve also been trying to figure out how I want to spend my time with them and how to make their time with me, at the very least, pleasant.
In ten minutes, I have to tell them how awesome I am without coming off as an arrogant or clueless jerk. I also have to tell them about one rad project I’m working on, a project that will prove to them that I’m a filmmaker they should want to track.
I think I have a strategy.
I have to engage these people, get their advice and expertise, while pitching myself (and my works, both current and future) without coming off as a desperate creative.
So, is there something I’m missing? Am I misguided in my logic and approach? What’s your advice?
Everyone is buzzing about this Village Voice article. Why? I think it’s because in the age of Reality TV Celebutantes sex tapes we love watching idiots make asses of themselves but let’s save that for later.
First, let me say that “I get it.” When I recently turned in my TERMINATOR: THE SARAH CONNON CHRONICLES TV spec for contests, I suffered over every sentence, every word. Not only did I employ all of John August’s tips but I also read it from last page to first and I reread the first ten pages ten times more than the rest of the script. If I go back and find I dropped an apostrophe from a contraction, I want to commit seppuku in the shower.
But that’s not everyone’s policy. Terrible writing chocked full of grammar and spelling mistakes isn’t just for the amateur either. I once worked for a small indie film production company run by a titan in the field and they asked me to clean up a certain filmmaker’s script before it went out. This writer/director, who shall go unnamed but I will say that he won Sundance, became an overnight success, still makes films and now also stars in big Hollywood productions, handed in a script that looked like it was typed up by a retarded orangutan. I, who am not an expert in grammar, could spot the syntactical carnage miles from the page… but I digress.
I get why this guy doesn’t want to read your script. No one wants to hear the truth. I know. The older I get the more honest I get and the more folk look hurt when I give them said honesty but in this industry you gotta develop thick skin. There’s a reason that all the filmmakers that make it are jerks.
But does this guy have to be such a douche? Maybe. But do I want to hear him rant about it? Let me say this: yes, that guy was a dick for cornering you but you are a dick for writing this article. Hey, I’m sorry if your diamond slippers are too tight. Might I help you slide them off with a chainsaw?
That’s what I thought.
Before I get bombarded by some womyns group, let me assure you that 1) my momma raised a good boy and 2) I’m talking about perseverance in the film industry.
I know it’s frowned upon to share defeat but it’s the reality of working as a creative in the movie industry. Recently, I suffered two hits.
First, the spec commercial I made for the Amazon “Make-Your-Own-Ad” contest wasn’t chosen for one of the top 5 spots. I have no idea how many entries there were but I would assume a lot of people would take a shot at $20k.
Second, I topped out at the second round of the Austin Teleplay competition. They did send a letter saying that making the second round means I was in the top 10%. Someone even took the time to send me a hand written note with the form letter congratulating my courage for writing on a new show (the recently canceled TERMINATOR: THE SARAH CONNOR CHRONICLES).
Obviously I’m bummed but if I dwell on the negative while trying to hack my way into this industry, I’d have committed suicide a long time ago. No, instead I take great pride in the work I’ve done, add it to the portfolio and move on to the next short (an actress from my Amazon spec pitched me an idea) and spec teleplay (I’m pretty sure it’ll be a FRINGE but I’m considering a DOLLHOUSE or possibly an EASTBOUND & DOWN).
As I say to my colleagues, I must heed as well: Chin up, gather your strength and keep moving forward.
As the summer of 2009 draws to a close, allow me a few minutes to look back at what I did for my summer vacation.
Vacation? Bull! I worked my ass off this summer (and I managed to have some fun, too). What did I do this summer?
I’d say that’s a pretty damn productive summer.
A quick what-I’ve-been-up-to-and-will-be-up-to:
And so ends today’s update. FYI, I’ll try to blog more consistently from Comic-Con. Over and out.
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