Posts Tagged ‘Music’

 

20 Years Ago in Music: Looking California, Sounding Very Seattle – 10. October, 2011

As I was enjoying the fading heyday of metal, a few foot soldiers of the forthcoming grunge movement were already on the scene and in my CD player. Alice in Chains was opening for every rock band I loved so I knew them well. The other guys I caught released their landmark album 20 years ago but fuck, my ears are still ringing from seeing them live. The band was Soundgarden and the album was “Badmotorfinger“.

Soundgarden Badmotorfinger

I’d seen these guys a few times before this album (for the first time at what might have been the craziest show ever, but that’s for another post) but I didn’t find them to be new Zeppelin nor the new Black Sabbath, as they were often hyped. But when Badmotorfinger dropped I played the life out of that album. In particular, the first single, “Jesus Christ Pose“, blasted out of my discman repeatly. That sound captured what I was feeling.

I loved the album. Still do. But then there’s the case of the band’s live show. I quickly learned that I could count on Soundgarden for two things: to be loud and to be earsplitting loud.

I think they’re the reason I wear ear plugs to all concerts now. I know everyone says that Chris had an amazing voice but back in the day all I heard was him screaming and wailing. The band was a massive wall of sound that rattled my teeth. I would have avoided them but they were opening for every band I caught. I think I may have seen Soundgarden 20 times live (that’s not a hyperbole).

And so 20 years ago Chris Cornell split my ear drum.

Next week, let’s round out the grunge explosion with the band I discovered (yeah, I’m taking credit).

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20 Years Ago in Music: Blood, Sugar, Sex, Magik, Wash, Repeat – 3. October, 2011

If you have any sort of pop culture pulse, you know that September 24, 1991 saw the release of what may have been the most influential rock album of the last… well, forever.

But Nirvana wasn’t the only band to drop a huge album that day. No, one other rising band released an album that would turn them into superstars. And for better or for worse, this album would also serve as the template for all their future success. Of corse I speak of this album by The Red Hot Chili Peppers.

RHCP BSSM

Prior to this album, I knew of the RHCP but I wasn’t into them, despite their being local boys. Then I picked up this album and like most of the world, I was hooked. I loved this new direction (I’ll admit, I wasn’t the biggest fan of “Mother’s Milk“). I even saw them play the LA Sports Area (Nirvana was one of the opening bands) and they rocked.

But as the years passed and subsequent albums dropped, it became clear that the boys couldn’t escape the gravitational pull of this mega hit. The few times they’ve tried, they’ve fallen flat. All their recent stuff that’s any good sounds like an outtake from BSSM.

And so 20 years ago, a bunch of punks discovered a winning funk formula that they just can’t quit.

Next week, one of the bands I saw over twenty times, and my ears are still ringing.

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20 Years Ago in Music: Out of Time, Out of Touch – 26. September, 2011

So I was gonna write about another band this week but in light of last week’s breaking news, I’ve decided to write about the album that destroyed R.E.M. forever. Yes, I’m talking about “Out of Time“.

OutOfTimeCover

First, let me put something out there: I’ve never liked R.E.M. “Document” almost won me over but this album proved to me that these guys were too busy drinking their own Kool-Aid to actually make anything that mattered. The songs were just weak. Even if you’re a fan, how often do you put Shiny Happy People or Losing My Religion on your iTunes?

Ya know, I think I saw them once but Michael Stipe pissed me off so much that I wandered off to get myself into some trouble.

But this isn’t all negative. Maybe Michael Stipe can start producing good movies again.

Next week: I’m not sure. It’s a crazy week so why don’t we just embrace “surprise”.

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20 Years Ago in Music: Rock Dies, Rock Lives… Oh Nevermind – 19. September, 2011

Twenty years ago, on September 24, rock experienced a big bang that not only birthed a new scene, it reinvigorated an industry, and it sounded like this.

Unless you’re dead or deaf, you know that Nirvana’s seminal album is about as old as that really cute girl working the coffee bar, and about as big as her… eyes. I was gonna say “eyes”.

Now, everyone and their mother has something to say about this anniversary so I’ll avoid all that and tell you about the one time I saw them live. They were the first of two opening bands for the Red Hot Chili Peppers; Pearl Jam was the other opener. Kurt came on stage wearing not only his standard jeans and flannel but also a tutu. They played the loudest songs off Nevermind and they sounded terrible. Kurt was a mumbling, out-of-tune mess and possibly high or drunk. I was so disappointed.

Little did I know the kind of impact they’d have on a generation. I can still remember a buddy’s roommate going on a massive bender after learning of Kurt’s death. Another buddy dated a girl that had carved Kurt’s name into her arm. Seriously, WTF!

Still, it’s impossible to deny the power that album. It still sounds so fresh and vital. As long as we have rock, we’re gonna keep hearing this album.

That’s it for today. Next week we’ll take a look at another huge album that dropped the same day as this one.

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The Kills @ The Wiltern – 17. September, 2011

For being just two musicians and a drum machine, I’ve always thought The Kills were one of the best live acts touring. This show definitely reinforced that opinion.

The kills chelsea

This time around they concentrated on playing tracks from their last two albums, BLOOD PRESSURES and MIDNIGHT BOOM. This pair of recordings have a great rock sound/energy but with a very thumpin’ groove so I shouldn’t have been surprised to see all the hot girls dancing and grinding to the tunes (“Thank you, God”). They did open with “No Wow” but that was the only older track they played. As a long time fan I always wish they’d dig into their deeper, older cuts which were so raw and primal.

I’m rather laconic today so I’ll just say “go see The Kills and buy all their albums.”

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20 Years Ago in Music: The Final Guns N’ Roses Album – 12. September, 2011

Twenty years ago, on September 17, the fucking coolest band in rock n’ roll released the most hotly anticipated follow up album ever, which would also be their last. Of course, I speak of this (double) album.

Okay, I’m prone to hyperbole but I used to be a metal head and I fucking played the Hell out of “Appetite for Destruction” which might be the best hard rock album ever. Seriously, I challenge you to listen to this album and not want to drink, do drugs and fuck like an animal.

(Yeah, normally I don’t curse this much in posts but it’s rock n’ roll, so deal)

And so I waited and waited and waited and waited for the sophomore Guns N’ Roses release. Then drummer Steven Adler left the band. Okay, yeah he was a good drummer but Matt Sorum was a beast. Then the Axl-Rose-as-hard-rock-Howard-Hughes rumors started but I was still confident Gn’R would drop an epic album. When I learned it would be a double album, I was super stoked. Maybe the years and effort would really pay off.

I was not disappointed. Sure, I never was, nor am I still, a fan of the guitar sound on “Illusion“. To me it’s much more cold, steelier then “Appetite” , which felt raw and alive. And while the band expanded their sound to include more elements of blues, country and even prog rock (fuck, there were six songs longer than 7 minutes!), they still sounded like the Gn’R I loved… except for that last song.

At the end of the second album there’s a song called My World. It’s 90 seconds long, Axl wrote and recorded it without the rest of the band and if the rumors were true, he snuck it in at the last minute without any of the rest of Gn’R knowing.

Yeah, okay, that’s fine, every epic album can have one head-scratcher, but then rumors surfaced of Axl saying “this song [My World] is the future of Gn’R.” Apparently he also told some people that Trent Reznor stole his sound. In his mind, the next Guns N’ Roses album was gonna be some sort of industrial hard rock that used a ton of samples and beats. Apparently this sound was stuck in his head and Axl would do anything to get it out.

This, ladies and gentlemen, is the sound of a crazy man intent on breaking up a band just so he can get what he wants. This was the sign that there would never be another Gn’R album.

Of course at the time I didn’t know this. I just had a feeling that I had to see Gn’R live as many times as possible because I might not get many more chances (I still rank their prerelease show at the Pantages as one of the best rock shows I’ve ever seen).

And yes, I did see Gn’R after the band had left and it was really “The Axl Rose Experience”. And I also bought Chinese Democracy and after one listen I chucked it into a corner.

But still, twenty years ago I had one last hurrah for hard rock and it was fucking awesome.

Next week: the album that would define a generation and change the sound of rock n’ roll.

Posted in Off-Topic

20 Years Ago in Music: Metallica’s “The Black Album” – 5. September, 2011

So remember when I said I was looking for more things to blog about? I found another topic. It came after watching a documentary at work, followed by three sleepless night.

At some point during my insomnia, I realized that 1991 was a monumental year both for the music industry and for myself as a fan of music.

Actually, “fan” isn’t strong enough of a word. I not only love music, it’s my lifeblood, it’s my high, it’s my most blogged about topic, but I digress.

In remembrance of what happened twenty years ago in music, I picking out some key events and reflecting on how they affected me then and now. I’ll try and do one of these every Monday until the end of the year.

Enough with the preamble, on to the main event.

1991 would be the last year I was a true metal head. When I used to go to a few metal shows a month, after 1991 I’d go to one or two a year, if that. I was about to completely change my musical identity. Why? This was one of the big reasons.

Although I was a kid, I had been following Metallica for a while and they represented everything that was cool: they were outsiders, they didn’t need a music video to sell out a stadium, they didn’t need to make radio friendly songs, they didn’t need to please an industry.

I saw them twice when they toured for “…And Justice For All” and I owned all their albums and every single that had an unreleased b-side (“Breadfan” still rocks).

And then the Grammys happened. There was a brand new “Best Heavy Metal/Hard Rock Album” category. Metallica was nominated and they were gonna play just before the award was given out. All signs pointed to Metallica winning this award.

And then Jethro Tull won.

A band that hadn’t been relevant in twenty years (DING!) beat out the most breath taking, innovative band in metal. What the fuck? Was the music industry sending Metallica a message? “You can’t work outside the industry and expect to win an award.” Who knows, but this set a new course for Metallica and for yours truly.

Metallica didn’t take losing well. First they burned all their “We Won A Grammy” t-shirts (but I hear some are still floating around). Next they dumped the guys that had recorded/mixed/engineered all of their previous albums and hired the hit-maker du jour, Bob Rock. Finally, the decided to make an album full of short, radio friendly metal. They made “The Black Album“.

I bought that album and tried to convince myself that Metallica was still awesome, that they were still rebels, but my inner bullshit detector was pegging the needle. Something was different. This wasn’t my Metallica. After seeing them in support of this album, I knew in my heart of hearts that I would never buy another Metallica album. Yes, I know a lot of you first got into metal because of this album but when once these were the cool kids that I looked up to, they were now doing tricks in the back alley in the hope that more people would like them.

And so twenty years ago was the beginning of the end for Metal Head Me.

Next week: one dying fist pump for hard rock. Until then, have a great week.

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SXSW 2011 Photos – 21. March, 2011

Man, I have a masisve music hangover. Soon, the withdrawals start but maybe these pics will help me suffer through.

Okay, back to reality (boo!).

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SXSW 2011 Day 4 – 20. March, 2011

So I got up REAL early to hit the Rachel Ray party.

SXSW 2011 Day 4 - 2

Ya know, I thought she’d be a lot cuter. Maybe that’s just when she’s cooking.

The first band I caught was Tape ‘n Tapes.

SXSW 2011 Day 4 - 1

Ya know, they just weren’t doing it for me. That’s oaky, I was really here to catch Eli “Paperboy” Reed.

SXSW 2011 Day 4 - 3

What a smokin’ set (and hot damn if that ain’t one of the best pics I’ve taken at the fest).

Up next was an artist I knew nothing about: Haley Bonar.

SXSW 2011 Day 4 - 4

She was much more musically interesting than I first imagined… and those midwestern good looks don’t hurt none either.

I then caught an instrumental punk band that uses a NES as an instrument. Of course I’m talking about Anamanaguchi.

SXSW 2011 Day 4 - 5

If you’re a reader of this blog and they sound familiar, it’s because they scored the video game Scott Pilgrim vs. The World, which I wrote about.

I then raced over to catch Alcoholic Faith Mission.

SXSW 2011 Day 4 - 7

Holy geez, they were awesome.

I then ran across the road to catch Le Butcherettes.

SXSW 2011 Day 4 - 8

Who doesn’t love a tall, busty, brunette Mexican covered in blood?

And to end the evening I tracked back across the street to check out Army Navy.

SXSW 2011 Day 4 - 9

And that wraps my 2011 SXSW. In the spirit of over-sharing (all of you on Twitter and Foursquare friends know what I’m talking about), here’s some awesome music from the bands I loved on the last day of the fest.

Anamanaguchi

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Alcoholic Faith Mission

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Haley Bonar

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Le Butcherettes

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Eli “Paperboy” Reed

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Next, some sleep, then the airport.

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SXSW 2011 Day 3 – 19. March, 2011

So today I got up early to check out The Black Angels

SXSW 2011 Day 3 - 01

They sounded like the score for a cinematic desert drug scene, which made me really sleepy, so I took a long nap.

When I awoke I jumped in a van for downtown, then three girls jumped in my van and asked me out to dinner.

SXSW 2011 Day 3 - 02

SXSW 2011 Day 3 - 03

SXSW 2011 Day 3 - 04

How could I say “no”?

When I finally finished my wonderful Italian dinner, I ran in to check out Colleen Green.

SXSW 2011 Day 3 - 05

She was like a better Best Coast, but not good enough to stick around.

I then stopped by the Japan Night showcase to catch White White Sisters.

SXSW 2011 Day 3 - 06

Fun and funky.

I then scampered to a 2nd floor venue

SXSW 2011 Day 3 - 07

(that’s the bar below)

And I checked out Grand Pianoramax.

SXSW 2011 Day 3 - 08

They weren’t doing it for me so I wandered back to the Japan Night to check out Hystoic Vein.

SXSW 2011 Day 3 - 10

How can you not love those theatrics?

I then wandered over to see The Airborne Toxic Event.

SXSW 2011 Day 3 - 09

They never disappoint, but I have a feeling this new album will separate the fair-weather fans from the hardcore ones.

It was then back to the Japanese Night for Lolita No. 18.

SXSW 2011 Day 3 - 11

They were so fun and heartfelt that they had me smiling throughout the entire set. Is it any wonder they’re my pick of the day?

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Now it’s time for bed if I’m gonna make the Rachel Ray party.

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