The second half was devoted to a lot of the songs you love… with a few exceptions. Yeah, I’m sure “Sledgehammer” would be hard to orchestrate but don’t we all love a challenge?

And why didn’t he play this Vampire Weekend cover?

The first opener was The New Pornographers. While their melodies are sweet, clean pop confections their sound last night was anything but. It felt like they needed another 30 minutes for a sound check… or maybe the bowl just swallowed them up. It’s been known to happen to good bands and I can vouch for The New Pornographers. These guys rocked their SXSW set a few years back.

Also, as good as their female singer was, she can’t compare to the power and clarity of Neko Case.

The second opener was Tegan and Sara and they were much improved since I saw them open for Ryan Adams (dude, when you gonna make another album that floors us?). First, it helped that this time they had a backing band; the two of them acoustic = tedious. Second, their sound was clean and tight (New Pornographers, take note of what they did for next time). Lastly, these two girl have a great stage presence/banter. They reminded me of the Smothers Brothers. Hey, Logo, are you developing a variety hour for these two?

Finally, Death Cab for Cutie took the stage. Like all previous pop acts that have played with the Los Angeles Philharmonic, the first half of Death Cab’s set was loaded with their heavier songs while the second half focused on slower songs with a more cinematic scope. In my humble opinion, I thought Death Cab did a great job.

Now, those points I was going to address. First, The Hollywood Bowl is an unforgiving space for pop acts. While it’s a cool novelty for a band to play there and it’s awesome that the audience can bring in a picnic, I think most bands should avoid the Bowl. Second, if you’re gonna play with the LA Philharmonic, embrace it, don’t treat it like jamming with a buddy. Death Cab should have dumped their usual instruments and only had the orchestra backing them. That would have been amazing. Lastly, Transatlanticism is their best album but this might be my favorite song/video of theirs: