Posts Tagged ‘Fringe’

February 2010 Goal Check

Monday, March 1st, 2010

What? The month’s already over? S**t! Time to check in with those goals I set at the start of the year.

Finish My Feature Film – No real progress here but I should be looking at a cut next month.

Write Another TV Spec – This too has taken a back seat but I am plowing through season 2 of CHUCK on my iPhone and the FRINGE season 1 Blu-ray on my PS3.

Get Hired to Direct – Um, yeah, this really isn’t happening either. Okay, by now you’re asking what the hell is wrong with me. You must think I’m a flake. I’m not, I just got hit with a one-two-punch of having a roller derby girl spurn my affections (lesson: never like them more than they like you) and then the most intense flu I’ve had since childhood. That ate up about 2-3 weeks of my life.

Get My Transmedia Project Up & Running – Good news here: I have 4 pitch meetings this week. I’ll be meeting with a creative/tech agency, a talent agent, a new media producer and a web focused production company. That means I have to get this pitch prepped ASAP.

Write a Feature Script – Nope, didn’t really push the bromance but I’m punching up this horror/thriller that a director, and friend, wants to take into a genre division. And it’s due the same week as my 4 pitches.

Gulp.

As for my other goals, I’m still looking for a sport, a class, a way to defy death, an acoustic guitar, a way to invest and I really gotta finish GLUE by Irvine Welsh.

Friday Fun: Beer Wars

Friday, February 5th, 2010

Happy Friday everyone!

If you’ve ever met me in a bar or seen me in a decent restaurant and asked “what’s a good beer” then you’ve heard me give an impromptu lecture on brown ales or how a pilsener is different from a lager.  Yes, I’m a beer geek and it’s all because of a documentary called BEER WARS.

This week, that documentary is available on iTunes (and apparently my PS3 too but I can’t stop playing BORDERLANDS to check–help). Don’t believe me? Here’s the proof.

(that’s the documentary on the “iTunes->Movies” homepage sandwiched between NEW YORK, I LOVE YOU and some Hulk cartoon while I download the latest FRINGE).

Of course I’m biased (dear FTC, I worked on it for almost three years but I am not being compensated for this mention… but if the director wanted to buy me some tasty cupcakes I wouldn’t say “no”) but I think it’s a pretty damn good doc. Also, the “making of” was mighty interesting so I can’t wait for the behind-the-scenes book (hint, hint; nudge nudge).

January 2010 Goal Check

Monday, February 1st, 2010

Okay, time for an exercise in masochism.

At the start of the year I laid out my goals, some professional, some personal. I mentioned the importance of reevaluating them at least annually. Well, how about if I check my progress every month?

Gulp.

Okay, let’s go.

Finishing My Feature – This month I met with my editor and we put together a new schedule that has me looking at a cut soon. I’ll be checking-in with him to make sure we’re still on track to meet our deadline.

Write Another TV Spec – I’ve been consuming episodes of CHUCK (with 7 votes, the clear winner in my online poll which can be viewed on the right of the landing page) but I’ve also been catching up with FRINGE. I’d like to do both specs this year. Also, I’ve added MODERN FAMILY to my Hulu. Why? Cause I’m fucking Colombian and I detest some of the lame Colombian jokes they give Sofia Vergara. Baby, I’m coming to your rescue.

Get Hired to Direct – Yeah, that’s taken a backseat this month.

Get My Transmedia Project Up & Running – I’ve digitized 3 of the tapes we’ve shot and I’ve learned that using “Log & Capture” to convert HDV to ProRes takes 1h45m for every 50 minutes shot.

Develop a TV Pilot – I’ve thought about it.  Had a tiny breakthrough with the webseries idea.

Write a Feature Script – I’ve started outlining this bromance/romcom (can I shoot myself after using those terms?) that’s been brewing for a while. My goal is to start writing the script this month.

As for my other goals, I’m still looking for a sport, a class, a way to defy death, an acoustic guitar, a way to invest but I did pick up GLUE by Irvine Welsh and I’m hoping to finally finish it this month.

Previously on…

Monday, January 11th, 2010

I have a question and I’m putting it to you, or at least those of you with experience in the scripted television industry.

I wrote a spec for TERMINATOR: THE SARAH CONNOR CHRONICLES and I’m getting ready to submit it to a management company. That show, along with most hour-long scripted shows these days, is heavily serialized. Therefore, should I include a paragraph to catch up the reader, something akin to the “previously on…” most shows employ, like this example from FRINGE?

Also, if my spec occurs at a specific point in the show’s chronology, should I point that out? For example, “this takes place just after episode 3 of the second season”.

Thoughts?

New Goals 2010

Monday, January 4th, 2010

I don’t do New Year’s resolutions but I find it important to have goals and reevaluate them at least annually. Last year I had many goals and like a lot of folk I enjoyed some success and some failure. I know that’s not a very American thing to admit but if you work in the entertainment industry rejection is a fact of life. That’s okay. You just have to take another whack at that piñata. Maybe you’ll hit it dead center, maybe you’ll just graze it but you always gotta take another swing. That’s success. Plus it’s important to bite off more than you can chew.

But enough of the aphorisms, let’s get back on topic. What are my goals for the new year?

Write Another TV Spec – Last year I managed to successfully write a TERMINATOR: THE SARAH CONNOR CHRONICLES spec. It placed in the Austin Teleplay contest, was strongly considered for writing fellowships at both Warners and ABC/Disney and a management company is considering me for representation so only good has come of it (plus it was incredibly fun to write). That’s why I want to write another TV spec. I was planning a DOLLHOUSE but now that it has been canceled I’m down to a couple of options. I feel confident that I could write a strong FRINGE or CHUCK. I have to catch up on watching the 2nd season of both but let me get a show of hands from my readers. As you’ll see on the sidebar of my blog’s homepage, I’ve created a poll asking you which I should write. I’m looking forward to your vote. Also, a free beer to anyone that can draw a tie between those two shows (why is it that I feel I can write either of those particular shows?).

Finish My Feature – It’s embarrassing but my first feature has just been sitting there. Yes, it was a hard 2009 and a personal tragedy late in the year really rocked my world but if I don’t do this I’ll only beat myself up more and that yields no good. Besides, finishing this thing is one of the keys to taking the next big step in my career…

Get Hired to Direct – I don’t care if it’s another person’s project or my own, I gotta make this happen. I have to hustle this up for myself. This is mandatory.

Get My Transmedia Project Up & RunningThis is another project that’s just hung in limbo. I now have the HDD I need so there’ll be few excuses for me to not get editing what we’ve shot… but we also need to set up our web presence and strategize our development, following a model similar to THE GUILD (BTW, using “we” just now was not a mistake).

Write a Feature Script – I’ve been working on an idea for a while, now it’s time to develop the outline and then crack open Final Draft.

Develop a TV Pilot – If I’ll be writing another TV spec, I need to have a strong idea for a new show. Here’s where things get a bit tricky. That feature film idea I just mentioned, I think it’d also work as a television show, maybe even be better as a TV show. Unfortunately, I don’t know anything about developing a TV show treatment/pitch and I feel like I owe it to myself to do the feature version first. And heck, if it doesn’t work then I can revamp it as a show ala GLEE. Maybe I should start with my web series idea and just practice serialized short-form storytelling. Maybe you’re wondering why I don’t develop this into a TV pitch? Because it’s raw, crude, funny and skirts the law. How bad to do you want to see my web series now?

And like the rest of the world, I have a laundry list of personal goals. Last year I was rather vague but how about I get specific? This year I’d like to…

  1. Take up a sport.
  2. Use my passport to leave this hemisphere.
  3. Jump out of a plane.
  4. Take a class that isn’t related to filmmaking or computers.
  5. Buy a new acoustic guitar so I can start playing again.
  6. Read four books that have just been sitting on my shelf.
  7. Invest my savings more aggressivly.
  8. Finally go out with Micki.

I’m sure I’ll come up with more but that should occupy my January.

;)

And you? What are your goals?

I Heart Bad Ass Sci-Fi Chicks

Thursday, November 12th, 2009

But according to Variety I’m the only one because Fox just canceled DOLLHOUSE. Well, at least this time they cancelled the show before I wrote the spec.

Yes, I miss TERMINATOR: THE SARAH CONNOR CHRONICLES.

Granted, DOLLHOUSE had a rough start but the series did improve with each episode. Plus how could you cancel this?

Dollhouse01Dollhouse02Dollhouse03
Dollhouse04Dollhouse05Dollhouse06
Dollhouse07Dollhouse08Dollhouse09

So I guess this means I better get cracking on my CHUCK or FRINGE spec before they cancel one of those. Also, I should start watching FLASH FORWARD and V before they suffer a similar fate.

Time to write!

Portable Idiot Box

Tuesday, October 20th, 2009

Okay, let me just admit this: I read Nikki Finke.

Now, if you read her site recently and managed to shove past all the industry rumors and executive swaps there was a tiny story reporting that the Advanced Television Systems Committee just approved a mobile DTV standard.

So why should you or I care? Well, were you excited by the iPod Nano with built-in FM tuner? No, me neither, but I was excited by the possibility (actually, I kinda was but I’m trying to dramatize my point).

Well, what if you could use your iPod to tune into your local Fox station to watch FINGE? We are now one step closer to that possibility.

F**king awesome!

Mini Meetings

Thursday, October 8th, 2009

Wondering about the radio silence? Yes, I am back from all my travels but I’m also attending the Filmmaker Forum by Film Independent this weekend. It’s a 2-day seminar on the current-yet-always-evolving state of independent film.

I know, I know, you’re saying “attending a seminar shouldn’t preclude you from blogging regularly” but I also I signed up for their IndieLink. Normally an IndieLink is a moderated meet-and-greet between two groups of up-and-comping professionals. For example, they regularly have ones where directors and producers get together with composers.

For the Filmmaker Forum, they’re a bit differnt. This time around they’re 10-minute meetings with industry professionals. I sent in my preferences expecting to maybe get one meeting but probably get shutout.

Imagine my surprise when I scored four big meetings. This Saturday, in the space of one hour, I’m meeting with a distributor, a creative executive, an agent and a hybrid distribution consultant.

Therefore, I’ve been doing my homework for the past few days. I’ve been studying up on the kinds of films they package/sell/distribute. I’ve also been trying to figure out how I want to spend my time with them and how to make their time with me, at the very least, pleasant.

In ten minutes, I have to tell them how awesome I am without coming off as an arrogant or clueless jerk. I also have to tell them about one rad project I’m working on, a project that will prove to them that I’m a filmmaker they should want to track.

I think I have a strategy.

  • For the distributor, I can talk about my recently shot feature, ask what kind of distribution is typical for a film of its size and how I can best position my film (as is) for niche distributors.
  • For the hybrid distribution consultant I can also talk about my feature but I also have a multimedium project (aka, transmedia) that I can mention. I’ll be sure to ask about the possibilities/realities of generating revenue for such a project through non-traditional streams, how to maximize social media exposure and the possibilities of sponsorships (I keep thinking Nerve or Match might be a good fit for my feature).
  • As for the CE, I can talk about my feature as well as these two scripts I’m cooking up; one a twist on the bromance genre and the other a haunted house/possession story.
  • As for the agent, I should cover the aforementioned projects while also talking about my recently completed TERMINATOR: THE SARAH CONNOR CHRONICLES spec and the CHUCK and/or FRINGE spec I’ll write next… but of course I’d rather be directing those shows.
  • I have to engage these people, get their advice and expertise, while pitching myself (and my works, both current and future) without coming off as a desperate creative.

    So, is there something I’m missing? Am I misguided in my logic and approach? What’s your advice?

    “No” Means “Try Harder”

    Thursday, September 3rd, 2009

    Before I get bombarded by some womyns group, let me assure you that 1) my momma raised a good boy and 2) I’m talking about perseverance in the film industry.

    I know it’s frowned upon to share defeat but it’s the reality of working as a creative in the movie industry. Recently, I suffered two hits.

    First, the spec commercial I made for the Amazon “Make-Your-Own-Ad” contest wasn’t chosen for one of the top 5 spots. I have no idea how many entries there were but I would assume a lot of people would take a shot at $20k.

    Second, I topped out at the second round of the Austin Teleplay competition. They did send a letter saying that making the second round means I was in the top 10%. Someone even took the time to send me a hand written note with the form letter congratulating my courage for writing on a new show (the recently canceled TERMINATOR: THE SARAH CONNOR CHRONICLES).

    Obviously I’m bummed but if I dwell on the negative while trying to hack my way into this industry, I’d have committed suicide a long time ago. No, instead I take great pride in the work I’ve done, add it to the portfolio and move on to the next short (an actress from my Amazon spec pitched me an idea) and spec teleplay (I’m pretty sure it’ll be a FRINGE but I’m considering a DOLLHOUSE or possibly an EASTBOUND & DOWN).

    As I say to my colleagues, I must heed as well: Chin up, gather your strength and keep moving forward.

    On The Road To Comic-Com 2009

    Thursday, July 23rd, 2009

    Although I’m operating on a couple hours sleep (my shoot went long and we didn’t finish so we gotta shoot another day–F********************CK!), it’s time to pack for Comic-Con.

    Bleary eyed, I gazed at the Thursday schedule. Things of potential interest:

  • ROBOT CHICKEN – Maybe I could pick up some stop-motion tips (I wonder how many set-ups they knock-out in a day).
  • AVATAR – I want to go but I don’t want to wait three hours in line. Plus we’re getting it at work so I’m gonna see it before all of you (I’m fiesty when I haven’t slept).
  • PANDORUM – Evil Paul Anderson, he feels my pain, or so it seemed from EVENT HORIZON.
  • KICK-ASS – I’m just gonna be pissed I didn’t make it. Good, anger is sometimes more potent than coffee (damn, I need to shake the sleep off me).
  • THIRST – I love OLDBOY (but am curious of a Speilberg/Will Smith remake).
  • Oni Press – I like their comics, plus I should have directed WHITEOUT.
  • J. Michael Straczynski – I wrote this down cause I saw “writing” in the title and I gotta get stareted on a new feature and a FRINGE spec.
  • DEXTER – He feels my pain, too (Jesus, I need sleep).
  • The Physics of Hollywood Movies – I put this one down because it’ll make my brain explode.
  • Wow, I’m really punchy, surly and tired. My sister’s gotta drive us down to San Diego. Yes, that’s right, I’m going to Comic-Con with my sister. She actually proposed the trip to me. I think this is the first pseudo-family vacation in over a decade. Let’s see if we get in a massive fight.

    Um, ignore that last statement. I just need to sleep.