20 Years Ago in Music: F**k You with a Fax – October 31st, 2011

You know what’s a dick move? Breaking up your band via fax. Yeah, that’s right, twenty years ago the Pixies released their last album, “Trompe le Monde

Pixies TrompeLeMonde

I have to admit, I wasn’t a big fan back in the day. I was a metal head, my sister was the alt music fan. It wasn’t until I got into Nirvana that I got into the Pixies. Luckly, I saw them when they first played Coachella and they fucking rocked. Will they record another album? Probably not, it’s kinda hard to get over a break up like that, but they’re still worth catching live.

Next week, the debut of a new musical movement.

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20 Years Ago in Music: Yes, I Am Alive – October 17th, 2011

A long time ago I caught an Alice in Chains / Soundgarden / “Special Guest” concert at The Palladium on Sunset. The “special guest” was a band out of Seattle that would drop their debut album six weeks later. I never heard of these guys before the show but afterwards I left singing their songs. The band was Pearl Jam, the album “Ten“.

Ten Pearl Jam

It was with this band, with this album, that I started forming a new musical identity. I discarded the head banging of my earlier years and bought a whole ton of flannel. Looking back, what’s odd is that I was responding to their classic rock sound. I think it’s impossible to listen to Pearl Jam, especially this album, and not hear their 60s and 70s rock influences. I swear you’ll hear some Cream in just about every song.

But that was me. Just as this album dropped, the band blew up, big time. By the following year everyone was making claims about how they were into this band since the very beginning. Me, I had six secret weeks where I couldn’t convince a soul about these guys.

That’s it for this week. Next week, a surprise for both of us.

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20 Years Ago in Music: Looking California, Sounding Very Seattle – October 10th, 2011

As I was enjoying the fading heyday of metal, a few foot soldiers of the forthcoming grunge movement were already on the scene and in my CD player. Alice in Chains was opening for every rock band I loved so I knew them well. The other guys I caught released their landmark album 20 years ago but fuck, my ears are still ringing from seeing them live. The band was Soundgarden and the album was “Badmotorfinger“.

Soundgarden Badmotorfinger

I’d seen these guys a few times before this album (for the first time at what might have been the craziest show ever, but that’s for another post) but I didn’t find them to be new Zeppelin nor the new Black Sabbath, as they were often hyped. But when Badmotorfinger dropped I played the life out of that album. In particular, the first single, “Jesus Christ Pose“, blasted out of my discman repeatly. That sound captured what I was feeling.

I loved the album. Still do. But then there’s the case of the band’s live show. I quickly learned that I could count on Soundgarden for two things: to be loud and to be earsplitting loud.

I think they’re the reason I wear ear plugs to all concerts now. I know everyone says that Chris had an amazing voice but back in the day all I heard was him screaming and wailing. The band was a massive wall of sound that rattled my teeth. I would have avoided them but they were opening for every band I caught. I think I may have seen Soundgarden 20 times live (that’s not a hyperbole).

And so 20 years ago Chris Cornell split my ear drum.

Next week, let’s round out the grunge explosion with the band I discovered (yeah, I’m taking credit).

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20 Years Ago in Music: Blood, Sugar, Sex, Magik, Wash, Repeat – October 3rd, 2011

If you have any sort of pop culture pulse, you know that September 24, 1991 saw the release of what may have been the most influential rock album of the last… well, forever.

But Nirvana wasn’t the only band to drop a huge album that day. No, one other rising band released an album that would turn them into superstars. And for better or for worse, this album would also serve as the template for all their future success. Of corse I speak of this album by The Red Hot Chili Peppers.

RHCP BSSM

Prior to this album, I knew of the RHCP but I wasn’t into them, despite their being local boys. Then I picked up this album and like most of the world, I was hooked. I loved this new direction (I’ll admit, I wasn’t the biggest fan of “Mother’s Milk“). I even saw them play the LA Sports Area (Nirvana was one of the opening bands) and they rocked.

But as the years passed and subsequent albums dropped, it became clear that the boys couldn’t escape the gravitational pull of this mega hit. The few times they’ve tried, they’ve fallen flat. All their recent stuff that’s any good sounds like an outtake from BSSM.

And so 20 years ago, a bunch of punks discovered a winning funk formula that they just can’t quit.

Next week, one of the bands I saw over twenty times, and my ears are still ringing.

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20 Years Ago in Music: Out of Time, Out of Touch – September 26th, 2011

So I was gonna write about another band this week but in light of last week’s breaking news, I’ve decided to write about the album that destroyed R.E.M. forever. Yes, I’m talking about “Out of Time“.

OutOfTimeCover

First, let me put something out there: I’ve never liked R.E.M. “Document” almost won me over but this album proved to me that these guys were too busy drinking their own Kool-Aid to actually make anything that mattered. The songs were just weak. Even if you’re a fan, how often do you put Shiny Happy People or Losing My Religion on your iTunes?

Ya know, I think I saw them once but Michael Stipe pissed me off so much that I wandered off to get myself into some trouble.

But this isn’t all negative. Maybe Michael Stipe can start producing good movies again.

Next week: I’m not sure. It’s a crazy week so why don’t we just embrace “surprise”.

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Now You Don’t Need Editors – September 21st, 2011

So someone created a website where you can upload clips and it’ll edit them into a video for you.

Um, why isn’t this a bigger story? Why aren’t more people FREAKING OUT?!

Apparently they churn out a montage set to music but the company claims their algorithms can analyze your footage and pick out the most interesting parts.

Am I the only person that feels like we’re one step closer to Judgment Day?

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The 5th Prestige: Default is Not My Fault – September 20th, 2011

And so it begins. I started my fifth prestige. For those that read my previous gaming post, I failed miserably at the play-wager-match-before-you-prestige-so-you-can-start-wth-some-cash plan. I wound up playing One In The Chamber on Array (I don’t ever do well on this map) and got my a$$ handed to me.

Still, no worries. I start over again ready to fight my way up the ranks. My first major obstacle: the default classes.

For those scratching their heads but not scared off yet, the Black Ops multiplayer is built around classes, sometimes called loadouts. Normally these customizable classes let you choose 3 perks (each grants you an ability), a primary and secondary weapon, a lethal and tactical grenade and a piece of equipment. You can then have one class for when you want to be a stealthy sniper, another for when you want to run around with an Uzi and murder other players as quickly as possible. Unfortunately, when you’re starting out at level one, regardless if this is your 1st or 15th prestige, you’re stuck using the default classes. Allow me to break these default classes down for you.

SMG

This might be one of the best (definitely the most popular) default classes available. The MP5K submachine gun and ASP pistol make for a great, fast firing pair while the Lightweight (allows you to run faster), Steady Aim (greater accuracy when hip firing) and Marathon (allows you to sprint for a longer amount of time) perks let you run and gun until your twitchy trigger finger’s content.

CQB

If your close quarter battle (CQB) strategy is to 1) toss a Concussion Grenade, 2) race in and spray the room with your Olympia shotgun and 3) quickly reload thanks to Sleight of Hand [cuts reload time in half] or 4) toss a Semtex and run, then this is your loadout. My one complaint is that Hardline (lowers all Killstreak requirements by one kill) seems like an after thought. Certainly Ghost (which prevents you from showing up on the enemy’s radar) or Lightweight (so you can quickly rush into combat, then out of danger) would have better served this build.

Assault

This strikes me as the wonkiest of the default classes. So the M16/ASP combo works just fine, but those Perks. First, as the M16 is a burst fire weapon and it has a moderate rate of fire, why would you ever need Scavenger (allows you to resupply ammo and grenades from fallen enemies)? You’re not going to burn through ammo that fast with this assault rifle. Second, as the M16 is meant to be a medium-long range weapon of precision, why would you ever want Steady Aim. If someone surprises you as you round a corner, you’ll really want your ASP handy; the M16 is not a run & gun assault rifle. Still, sometimes you gotta love Second Chance (instead of dying right away, you fall to the ground and pull out your pistol, giving you a chance to settle the score) and how it can pwn the enemy.

LMG

This might be the second best default class. Flak Jacket (you take less damage from explosives), Hardened (your bullets can better penetrate thin walls and hit an enemy) and Hacker (allows you to detect enemy equipment and explosives) all work nicely to make this machine gunner one tough S.O.B. Adding the M72 LAW just makes him that much more of a force to recon with.

Sniper

This is another “almost got it right” class for me. Ghost and Scout (allows you to hold your breath longer while aiming down a sniper scope, therefore giving you a steadier shot) are great when you’re slinking around the edges of the battlefield looking to pick guys off with your Dragunov, but Ninja? Ninja (your footsteps are 75% quieter) is great for close quarters combat but when you’re off on your own looking for sniping nests, it’s just not that useful.

Unfortunately, none of the default classes grant you attachments for your weapons nor do they give you a piece of equipment (Boo!) .

Luckily, after one game of Headquarters on Discovery I reached level 4, or the rank of Private First Class, which allows me to customize my loadouts. Goodbye to the default classes. Time to start grinding

But enough of that gibberish. Here’s some video of me taking down the enemy with each of the default classes.

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20 Years Ago in Music: Rock Dies, Rock Lives… Oh Nevermind – September 19th, 2011

Twenty years ago, on September 24, rock experienced a big bang that not only birthed a new scene, it reinvigorated an industry, and it sounded like this.

Unless you’re dead or deaf, you know that Nirvana’s seminal album is about as old as that really cute girl working the coffee bar, and about as big as her… eyes. I was gonna say “eyes”.

Now, everyone and their mother has something to say about this anniversary so I’ll avoid all that and tell you about the one time I saw them live. They were the first of two opening bands for the Red Hot Chili Peppers; Pearl Jam was the other opener. Kurt came on stage wearing not only his standard jeans and flannel but also a tutu. They played the loudest songs off Nevermind and they sounded terrible. Kurt was a mumbling, out-of-tune mess and possibly high or drunk. I was so disappointed.

Little did I know the kind of impact they’d have on a generation. I can still remember a buddy’s roommate going on a massive bender after learning of Kurt’s death. Another buddy dated a girl that had carved Kurt’s name into her arm. Seriously, WTF!

Still, it’s impossible to deny the power that album. It still sounds so fresh and vital. As long as we have rock, we’re gonna keep hearing this album.

That’s it for today. Next week we’ll take a look at another huge album that dropped the same day as this one.

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The Kills @ The Wiltern – September 17th, 2011

For being just two musicians and a drum machine, I’ve always thought The Kills were one of the best live acts touring. This show definitely reinforced that opinion.

The kills chelsea

This time around they concentrated on playing tracks from their last two albums, BLOOD PRESSURES and MIDNIGHT BOOM. This pair of recordings have a great rock sound/energy but with a very thumpin’ groove so I shouldn’t have been surprised to see all the hot girls dancing and grinding to the tunes (“Thank you, God”). They did open with “No Wow” but that was the only older track they played. As a long time fan I always wish they’d dig into their deeper, older cuts which were so raw and primal.

I’m rather laconic today so I’ll just say “go see The Kills and buy all their albums.”

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20 Years Ago in Music: The Final Guns N’ Roses Album – September 12th, 2011

Twenty years ago, on September 17, the fucking coolest band in rock n’ roll released the most hotly anticipated follow up album ever, which would also be their last. Of course, I speak of this (double) album.

Okay, I’m prone to hyperbole but I used to be a metal head and I fucking played the Hell out of “Appetite for Destruction” which might be the best hard rock album ever. Seriously, I challenge you to listen to this album and not want to drink, do drugs and fuck like an animal.

(Yeah, normally I don’t curse this much in posts but it’s rock n’ roll, so deal)

And so I waited and waited and waited and waited for the sophomore Guns N’ Roses release. Then drummer Steven Adler left the band. Okay, yeah he was a good drummer but Matt Sorum was a beast. Then the Axl-Rose-as-hard-rock-Howard-Hughes rumors started but I was still confident Gn’R would drop an epic album. When I learned it would be a double album, I was super stoked. Maybe the years and effort would really pay off.

I was not disappointed. Sure, I never was, nor am I still, a fan of the guitar sound on “Illusion“. To me it’s much more cold, steelier then “Appetite” , which felt raw and alive. And while the band expanded their sound to include more elements of blues, country and even prog rock (fuck, there were six songs longer than 7 minutes!), they still sounded like the Gn’R I loved… except for that last song.

At the end of the second album there’s a song called My World. It’s 90 seconds long, Axl wrote and recorded it without the rest of the band and if the rumors were true, he snuck it in at the last minute without any of the rest of Gn’R knowing.

Yeah, okay, that’s fine, every epic album can have one head-scratcher, but then rumors surfaced of Axl saying “this song [My World] is the future of Gn’R.” Apparently he also told some people that Trent Reznor stole his sound. In his mind, the next Guns N’ Roses album was gonna be some sort of industrial hard rock that used a ton of samples and beats. Apparently this sound was stuck in his head and Axl would do anything to get it out.

This, ladies and gentlemen, is the sound of a crazy man intent on breaking up a band just so he can get what he wants. This was the sign that there would never be another Gn’R album.

Of course at the time I didn’t know this. I just had a feeling that I had to see Gn’R live as many times as possible because I might not get many more chances (I still rank their prerelease show at the Pantages as one of the best rock shows I’ve ever seen).

And yes, I did see Gn’R after the band had left and it was really “The Axl Rose Experience”. And I also bought Chinese Democracy and after one listen I chucked it into a corner.

But still, twenty years ago I had one last hurrah for hard rock and it was fucking awesome.

Next week: the album that would define a generation and change the sound of rock n’ roll.

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