Archive for the ‘Screenwriting’ Category

February 2010 Goal Check

Monday, March 1st, 2010

What? The month’s already over? S**t! Time to check in with those goals I set at the start of the year.

Finish My Feature Film – No real progress here but I should be looking at a cut next month.

Write Another TV Spec – This too has taken a back seat but I am plowing through season 2 of CHUCK on my iPhone and the FRINGE season 1 Blu-ray on my PS3.

Get Hired to Direct – Um, yeah, this really isn’t happening either. Okay, by now you’re asking what the hell is wrong with me. You must think I’m a flake. I’m not, I just got hit with a one-two-punch of having a roller derby girl spurn my affections (lesson: never like them more than they like you) and then the most intense flu I’ve had since childhood. That ate up about 2-3 weeks of my life.

Get My Transmedia Project Up & Running – Good news here: I have 4 pitch meetings this week. I’ll be meeting with a creative/tech agency, a talent agent, a new media producer and a web focused production company. That means I have to get this pitch prepped ASAP.

Write a Feature Script – Nope, didn’t really push the bromance but I’m punching up this horror/thriller that a director, and friend, wants to take into a genre division. And it’s due the same week as my 4 pitches.

Gulp.

As for my other goals, I’m still looking for a sport, a class, a way to defy death, an acoustic guitar, a way to invest and I really gotta finish GLUE by Irvine Welsh.

Good News Then Stress

Wednesday, February 24th, 2010

Good news.

That Transmedia pitch DVD worked. It opened a door and now I get to pitch to 4 web/new media executives… but they moved the pitches up by a week… to next week.

Yikes!

Also, a friend is going in to meet with a genre division about directing one of their properties and he wants to take a couple other projects in with him. He asked me for one of my scripts so now I gotta punch that up before he meets with them… next week… the same time I have to do my webseries pitch.

I’ll sleep when I’m dead, right?

Question for ya: what should I prep for a 10-minute webseries pitch? Would love some expert advice.

January 2010 Goal Check

Monday, February 1st, 2010

Okay, time for an exercise in masochism.

At the start of the year I laid out my goals, some professional, some personal. I mentioned the importance of reevaluating them at least annually. Well, how about if I check my progress every month?

Gulp.

Okay, let’s go.

Finishing My Feature – This month I met with my editor and we put together a new schedule that has me looking at a cut soon. I’ll be checking-in with him to make sure we’re still on track to meet our deadline.

Write Another TV Spec – I’ve been consuming episodes of CHUCK (with 7 votes, the clear winner in my online poll which can be viewed on the right of the landing page) but I’ve also been catching up with FRINGE. I’d like to do both specs this year. Also, I’ve added MODERN FAMILY to my Hulu. Why? Cause I’m fucking Colombian and I detest some of the lame Colombian jokes they give Sofia Vergara. Baby, I’m coming to your rescue.

Get Hired to Direct – Yeah, that’s taken a backseat this month.

Get My Transmedia Project Up & Running – I’ve digitized 3 of the tapes we’ve shot and I’ve learned that using “Log & Capture” to convert HDV to ProRes takes 1h45m for every 50 minutes shot.

Develop a TV Pilot – I’ve thought about it.  Had a tiny breakthrough with the webseries idea.

Write a Feature Script – I’ve started outlining this bromance/romcom (can I shoot myself after using those terms?) that’s been brewing for a while. My goal is to start writing the script this month.

As for my other goals, I’m still looking for a sport, a class, a way to defy death, an acoustic guitar, a way to invest but I did pick up GLUE by Irvine Welsh and I’m hoping to finally finish it this month.

Previously on…

Monday, January 11th, 2010

I have a question and I’m putting it to you, or at least those of you with experience in the scripted television industry.

I wrote a spec for TERMINATOR: THE SARAH CONNOR CHRONICLES and I’m getting ready to submit it to a management company. That show, along with most hour-long scripted shows these days, is heavily serialized. Therefore, should I include a paragraph to catch up the reader, something akin to the “previously on…” most shows employ, like this example from FRINGE?

Also, if my spec occurs at a specific point in the show’s chronology, should I point that out? For example, “this takes place just after episode 3 of the second season”.

Thoughts?

New Goals 2010

Monday, January 4th, 2010

I don’t do New Year’s resolutions but I find it important to have goals and reevaluate them at least annually. Last year I had many goals and like a lot of folk I enjoyed some success and some failure. I know that’s not a very American thing to admit but if you work in the entertainment industry rejection is a fact of life. That’s okay. You just have to take another whack at that piñata. Maybe you’ll hit it dead center, maybe you’ll just graze it but you always gotta take another swing. That’s success. Plus it’s important to bite off more than you can chew.

But enough of the aphorisms, let’s get back on topic. What are my goals for the new year?

Write Another TV Spec – Last year I managed to successfully write a TERMINATOR: THE SARAH CONNOR CHRONICLES spec. It placed in the Austin Teleplay contest, was strongly considered for writing fellowships at both Warners and ABC/Disney and a management company is considering me for representation so only good has come of it (plus it was incredibly fun to write). That’s why I want to write another TV spec. I was planning a DOLLHOUSE but now that it has been canceled I’m down to a couple of options. I feel confident that I could write a strong FRINGE or CHUCK. I have to catch up on watching the 2nd season of both but let me get a show of hands from my readers. As you’ll see on the sidebar of my blog’s homepage, I’ve created a poll asking you which I should write. I’m looking forward to your vote. Also, a free beer to anyone that can draw a tie between those two shows (why is it that I feel I can write either of those particular shows?).

Finish My Feature – It’s embarrassing but my first feature has just been sitting there. Yes, it was a hard 2009 and a personal tragedy late in the year really rocked my world but if I don’t do this I’ll only beat myself up more and that yields no good. Besides, finishing this thing is one of the keys to taking the next big step in my career…

Get Hired to Direct – I don’t care if it’s another person’s project or my own, I gotta make this happen. I have to hustle this up for myself. This is mandatory.

Get My Transmedia Project Up & RunningThis is another project that’s just hung in limbo. I now have the HDD I need so there’ll be few excuses for me to not get editing what we’ve shot… but we also need to set up our web presence and strategize our development, following a model similar to THE GUILD (BTW, using “we” just now was not a mistake).

Write a Feature Script – I’ve been working on an idea for a while, now it’s time to develop the outline and then crack open Final Draft.

Develop a TV Pilot – If I’ll be writing another TV spec, I need to have a strong idea for a new show. Here’s where things get a bit tricky. That feature film idea I just mentioned, I think it’d also work as a television show, maybe even be better as a TV show. Unfortunately, I don’t know anything about developing a TV show treatment/pitch and I feel like I owe it to myself to do the feature version first. And heck, if it doesn’t work then I can revamp it as a show ala GLEE. Maybe I should start with my web series idea and just practice serialized short-form storytelling. Maybe you’re wondering why I don’t develop this into a TV pitch? Because it’s raw, crude, funny and skirts the law. How bad to do you want to see my web series now?

And like the rest of the world, I have a laundry list of personal goals. Last year I was rather vague but how about I get specific? This year I’d like to…

  1. Take up a sport.
  2. Use my passport to leave this hemisphere.
  3. Jump out of a plane.
  4. Take a class that isn’t related to filmmaking or computers.
  5. Buy a new acoustic guitar so I can start playing again.
  6. Read four books that have just been sitting on my shelf.
  7. Invest my savings more aggressivly.
  8. Finally go out with Micki.

I’m sure I’ll come up with more but that should occupy my January.

;)

And you? What are your goals?

I Heart Bad Ass Sci-Fi Chicks

Thursday, November 12th, 2009

But according to Variety I’m the only one because Fox just canceled DOLLHOUSE. Well, at least this time they cancelled the show before I wrote the spec.

Yes, I miss TERMINATOR: THE SARAH CONNOR CHRONICLES.

Granted, DOLLHOUSE had a rough start but the series did improve with each episode. Plus how could you cancel this?

Dollhouse01Dollhouse02Dollhouse03
Dollhouse04Dollhouse05Dollhouse06
Dollhouse07Dollhouse08Dollhouse09

So I guess this means I better get cracking on my CHUCK or FRINGE spec before they cancel one of those. Also, I should start watching FLASH FORWARD and V before they suffer a similar fate.

Time to write!

Do You Remember OCCUPIED?

Tuesday, November 3rd, 2009

This tiny film recently celebrated an anniversary.

For all the insiders, do you remember your 2-minute film? Do you remember your shoot? Please share.

You Will Read My F**king Script!

Friday, September 11th, 2009

Everyone is buzzing about this Village Voice article. Why? I think it’s because in the age of Reality TV Celebutantes sex tapes we love watching idiots make asses of themselves but let’s save that for later.

First, let me say that “I get it.” When I recently turned in my TERMINATOR: THE SARAH CONNON CHRONICLES TV spec for contests, I suffered over every sentence, every word. Not only did I employ all of John August’s tips but I also read it from last page to first and I reread the first ten pages ten times more than the rest of the script. If I go back and find I dropped an apostrophe from a contraction, I want to commit seppuku in the shower.

But that’s not everyone’s policy. Terrible writing chocked full of grammar and spelling mistakes isn’t just for the amateur either. I once worked for a small indie film production company run by a titan in the field and they asked me to clean up a certain filmmaker’s script before it went out. This writer/director, who shall go unnamed but I will say that he won Sundance, became an overnight success, still makes films and now also stars in big Hollywood productions, handed in a script that looked like it was typed up by a retarded orangutan. I, who am not an expert in grammar, could spot the syntactical carnage miles from the page… but I digress.

I get why this guy doesn’t want to read your script. No one wants to hear the truth. I know. The older I get the more honest I get and the more folk look hurt when I give them said honesty but in this industry you gotta develop thick skin. There’s a reason that all the filmmakers that make it are jerks.

But does this guy have to be such a douche? Maybe. But do I want to hear him rant about it? Let me say this: yes, that guy was a dick for cornering you but you are a dick for writing this article. Hey, I’m sorry if your diamond slippers are too tight. Might I help you slide them off with a chainsaw?

That’s what I thought.

“No” Means “Try Harder”

Thursday, September 3rd, 2009

Before I get bombarded by some womyns group, let me assure you that 1) my momma raised a good boy and 2) I’m talking about perseverance in the film industry.

I know it’s frowned upon to share defeat but it’s the reality of working as a creative in the movie industry. Recently, I suffered two hits.

First, the spec commercial I made for the Amazon “Make-Your-Own-Ad” contest wasn’t chosen for one of the top 5 spots. I have no idea how many entries there were but I would assume a lot of people would take a shot at $20k.

Second, I topped out at the second round of the Austin Teleplay competition. They did send a letter saying that making the second round means I was in the top 10%. Someone even took the time to send me a hand written note with the form letter congratulating my courage for writing on a new show (the recently canceled TERMINATOR: THE SARAH CONNOR CHRONICLES).

Obviously I’m bummed but if I dwell on the negative while trying to hack my way into this industry, I’d have committed suicide a long time ago. No, instead I take great pride in the work I’ve done, add it to the portfolio and move on to the next short (an actress from my Amazon spec pitched me an idea) and spec teleplay (I’m pretty sure it’ll be a FRINGE but I’m considering a DOLLHOUSE or possibly an EASTBOUND & DOWN).

As I say to my colleagues, I must heed as well: Chin up, gather your strength and keep moving forward.

My Summer 2009

Monday, August 31st, 2009

As the summer of 2009 draws to a close, allow me a few minutes to look back at what I did for my summer vacation.

Vacation? Bull! I worked my ass off this summer (and I managed to have some fun, too). What did I do this summer?

  1. I wrote my first TV spec for the now canceled TERMINATOR: THE SARAH CONNOR CHRONICLES.
  2. I found an editor for my feature.
  3. I shot a live-action/stop-motion spec for Amazon.
  4. I went to my first Comic-Con.
  5. I went to my first Tiki Oasis.
  6. I shot the first material for my multi-medium project.
  7. I directed scenes for an actor’s reel.
  8. I saw The Kills, Neko Case, Death Cab for Cutie and Andrew Bird in concert.

I’d say that’s a pretty damn productive summer.