Archive for the ‘Reviews’ Category

 

The Road – 24. November, 2009

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Okay, I know THE ROAD doesn’t open until tomorrow but I saw it way back at The FIlmmaker Forum by Film Independent. I know I’m gonna incur much wrath for this but I have a one word review. Ready? Here we go…

Boring!

Before you jump on my back, know that I’m a huge Viggo fan (I convinced a friend to buy some of his art at an auction) and I liked John Hillcoat’s last film. Heck, I even met the DP who is classy and genuine and talented so I really, really wanted to say something nice but all I remember from seeing this film was thinking “I’d rather be watching CHILDREN OF MEN.”

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The Informant! – 4. November, 2009

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Is a comedy still a comedy if it’s only happening in the main character’s head? What if we aren’t allowed in that character’s head? The answer, at least in regards to this film, is “no.”

This idiosyncratic flick from Steven Soderbergh does it’s damnedest to distance itself from you. On paper this should be a slam dunk. The individual elements, like the 70′s “Laugh-In” inspired score, Matt Damon’s performance, the supporting players, the period cinematography, are winning but when combined they leave a sour taste in the mouth.

My big question: why does Soderbergh want to keep us at a distance? Why aren’t we privy to Matt Damon’s POV. To what effect? What’s gained? I supposed there’s the surprise of learning that the comedy is in the character’s head but it’s a lame payoff. It’s a pity because so much thought and effort went into making this flick. Heck, Scott Bakula and Joel McHale are revelations but ultimately wasted.

Prior to seeing this, I felt terrible that Sony shutdown Soderbergh’s MONEYBALL but now I think maybe they did the right thing.

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Bruno – 24. September, 2009

Note: I caught this at a brewpub theater in Portland that also serves cajun tater tots so my review may be skewed by salty deliciousness washed down by malted barley goodness.

This film, while sometimes hilarious, does not provoke the same level of gasps and guffaws as BROAT did and I’ve been pondering “why” for the last few days. Is it because we’re all in on the joke now? Is it because it’s easier to laugh and also feel bad laughing at a good-natured bumbling foreigner (an archetype since the silent film era) than a ranting homosexual diva? Is it simply because Borat is a better character than Bruno?

I’m not sure, I suspect all of the above, but it’s been interesting talking to folk about the film. Almost everyone I’ve met has seen BORAT and can quote a favorite scene. Of those folk, most have not seen BRUNO and when pressed to answer “why” almost all of them said “I don’t want to see that.” When I press them even further (ex-girlfriends will now be able to spot the Tony tenacity that gets to the bottom of things) it’s clear that the film’s flagrant depictions of homosexuality made them incredibly uncomfortable. As far as I can tell, seeing two guys kiss (or more, as is the case with this film) is just too much for a lot of folk.

I am no cultural or economic theorist but I think at the very least that explains the film 80% box-office drop in its second week of release. For now, I’ll leave it at that.

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The Hangover – 29. June, 2009

Vegas, oh the myriad of stupid things we have done inside your city limits. I’d share but there’s a suicide pact that prevents me from saying any more (and don’t even get me started on Reno). With this film, we have yet another ode to male folly in Sin City.

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Does this film break any new ground? Nope. Is it funny? Yup. Why? Because it isn’t afraid to bare some of its fangs. In a Hollywood that plays everything well inside the safe zone, this movie doesn’t blink from exposing you to the infantile male id run rampant… yet it’s not nearly as profound as I just made it seem. Just sit back, have another shot of Patron and be sure to take a lot of dollar bills with ya.

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Drag Me to Hell – 23. June, 2009

DRAG ME TO HELL is pure schlock and I mean that as high praise.

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Before Sam Raimi peddled the heroic with his SPIDER-MAN franchise, he tickled the grotesque with his three EVIL DEAD movies. With this film Raimi returns to those roots by crafting an equally hysterical and horrifying flick (BTW, I’m so tired of torture porn) that kicks off with a home foreclosure.

Quick tangent: while some reporters are all too keen to describe this film as a condemnation/commentary on the home foreclosure crisis, Raimi keeps insisting that the film is simply about unchecked greed and how it spoils the soul.

Allow me another tangent. Ellen Page was originally cast in the lead role but dropped out due to scheduling conflicts. While Alison Lohman does a fine job, I felt like the filmmakers could have gone in a different direction. Instead of casting an actresses that embodies innocence, why not someone a bit more impish, a bit more mischievous? I’m thinking of a Parker Posey type. This would have given the film’s moral stance (and it is a VERY moral film) stronger legs to stand on.

If you like your horror flicks with a side of cheese, then this is the perfect dish for you (although I wouldn’t see the movie on a full stomach).

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Up – 17. June, 2009

Goddamn it, Pixar does it again.

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This film is just awesome. Somehow you get a trippy animated adventure film that also manages to examine the darkness that festers in men’s hearts, hearts congested with loneliness, anger and obsession.

And yes, it is 3-D but the film employs none of the typical 3-D gags. Honestly, I can’t believe the number of people I’ve heard complain about this. I think this is what 3-D will be like when (if) most films adopt the technology. Like sound, color and Cinemascope, the medium will find subtle ways to blend this technology into the storytelling.

Oh, and how I adored that opening montage. Damn, Pixar really knows how to do silent film right.

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Star Trek – 4. June, 2009

I think I can say this with 98.7% accuracy: there will be no better summer action-adventure movie than STAR TREK.

Somehow JJ Abrams along with writers Roberto Orci & Alex Kurtzman (all three of which also created one of my favorite new television shows, FRINGE, starring the lovely Anna Torv) have crafted a fast moving, emotionally satisfying thrill ride full of solid performances, spectacular effects and spine-tingling plot twists that come flying at you with such fury that you take their leaps of logic without a second of hesitation. I think all would-be writers of big action flicks should take note: this is how you do it.

You should absolutely boldly go where this movie wants to take you. That goes for you old-school Trekkies, too.

Need more convincing? How about a sexy Star Trek homage by Rachel Nichols. Don’t know who she is? Check it out:

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Yeah, she’s the only reason I’m gonna go see GI JOE (on a related note, this new GI JOE cartoon rocks).

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Monsters vs. Aliens – 6. May, 2009

Monsters! Aliens! Robots! Giant Blondes! San Francisco Destroyed! All in glorious digital 3-D!

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A fun flick but you’ll still wish Pixar had made it (sorry Dreamworks).

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Watchmen – 26. April, 2009

I was late getting into comics but when I did one of the first pressed into my hands was this highly touted tome.

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I was told it raised comics to were they belong… or left all other comics in the dust. It was dark, topical, literary and groundbreaking. It was possibly the first comic worthy of the “graphic novel” moniker.

And then Hollywood came a-knocking. A it took them forever to finally make this one. Names from Terry Gilliam to Arnold Schwarzenegger were attached and then cast off before wonder-kin Zach Snyder (can one be a wunderkind after two movies?) stood his ground and thought, “I will fuck this up less than anyone else.”

No, serious, that was his sentiment.

And so we have our movie version of WATCHMEN. It’s bloated, inert, dated, too long by at least 45 minutes and just too damn loyal for its own good. Ultimately, Zach Snyder keeps his word. He gave us the truest Hollywood adaptation of WATCHMEN possible. Most would say it’s not the WATCHMEN we wanted but I think it’s the WATCHMEN we deserved.

I wonder if Allan Moore takes some solace in that.

And I wonder if Zach Snyder will now fulfill the promise he showed with his DAWN OF THE DEAD remake.

I say bring it.

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Coraline – 14. March, 2009

First, I’m a tough critic that hardest on works so close to excellence that they can brush the fringes of cinematic immortality. Those are the films that frustrate me the most. And so we have CORALINE.

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This film could have easily (SOOOOO easily) been better. When I say better I mean this could have been a film for the ages instead of a diverting trifle no one will remember a year from now. How could this film have been easily fixed? First and foremost, the pacing was WAY off. The film moves so slowly that neither child nor adult could stop themselves from fidgeting. You have to give us a story that moves along at a proper clip. Instead, the filmmakers gave us a script structured in episodes that didn’t build off each other. When the filmmakers should have been ratcheting up terror, suspense or marvel they hashed out lethargy.

Part of this comes from a navel gazing related to the animation. Yes, the animation is marvelous and the world a masterpiece of macabre design but we’re living in a time where photorealistic dinosaurs are a more than just a possibility, they’re all over our media. You can’t just give us pretty pictures.

Second, the voice acting was average at best and that’s a terrible thing to say about such an amazing cast. There was zero chemistry between the performers and the fact that they’re recording their parts in isolation booths makes no difference. Just look at the amazing chemistry on the long-in-the-tooth SIMPSONS.

What a pity for a film that finally made proper, scratch that, that finally made artful use of digital 3D technology. Here’s hoping someone else uses this flick as a stepping stone for something greater.

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