Archive for the ‘Last Night’ Category

 

January 2010 Goal Check – 1. February, 2010

Okay, time for an exercise in masochism.

At the start of the year I laid out my goals, some professional, some personal. I mentioned the importance of reevaluating them at least annually. Well, how about if I check my progress every month?

Gulp.

Okay, let’s go.

Finishing My Feature – This month I met with my editor and we put together a new schedule that has me looking at a cut soon. I’ll be checking-in with him to make sure we’re still on track to meet our deadline.

Write Another TV Spec – I’ve been consuming episodes of CHUCK (with 7 votes, the clear winner in my online poll which can be viewed on the right of the landing page) but I’ve also been catching up with FRINGE. I’d like to do both specs this year. Also, I’ve added MODERN FAMILY to my Hulu. Why? Cause I’m fucking Colombian and I detest some of the lame Colombian jokes they give Sofia Vergara. Baby, I’m coming to your rescue.

Get Hired to Direct – Yeah, that’s taken a backseat this month.

Get My Transmedia Project Up & Running – I’ve digitized 3 of the tapes we’ve shot and I’ve learned that using “Log & Capture” to convert HDV to ProRes takes 1h45m for every 50 minutes shot.

Develop a TV Pilot – I’ve thought about it.  Had a tiny breakthrough with the webseries idea.

Write a Feature Script – I’ve started outlining this bromance/romcom (can I shoot myself after using those terms?) that’s been brewing for a while. My goal is to start writing the script this month.

As for my other goals, I’m still looking for a sport, a class, a way to defy death, an acoustic guitar, a way to invest but I did pick up GLUE by Irvine Welsh and I’m hoping to finally finish it this month.

New Goals 2010 – 4. January, 2010

I don’t do New Year’s resolutions but I find it important to have goals and reevaluate them at least annually. Last year I had many goals and like a lot of folk I enjoyed some success and some failure. I know that’s not a very American thing to admit but if you work in the entertainment industry rejection is a fact of life. That’s okay. You just have to take another whack at that piñata. Maybe you’ll hit it dead center, maybe you’ll just graze it but you always gotta take another swing. That’s success. Plus it’s important to bite off more than you can chew.

But enough of the aphorisms, let’s get back on topic. What are my goals for the new year?

Write Another TV Spec – Last year I managed to successfully write a TERMINATOR: THE SARAH CONNOR CHRONICLES spec. It placed in the Austin Teleplay contest, was strongly considered for writing fellowships at both Warners and ABC/Disney and a management company is considering me for representation so only good has come of it (plus it was incredibly fun to write). That’s why I want to write another TV spec. I was planning a DOLLHOUSE but now that it has been canceled I’m down to a couple of options. I feel confident that I could write a strong FRINGE or CHUCK. I have to catch up on watching the 2nd season of both but let me get a show of hands from my readers. As you’ll see on the sidebar of my blog’s homepage, I’ve created a poll asking you which I should write. I’m looking forward to your vote. Also, a free beer to anyone that can draw a tie between those two shows (why is it that I feel I can write either of those particular shows?).

Finish My Feature – It’s embarrassing but my first feature has just been sitting there. Yes, it was a hard 2009 and a personal tragedy late in the year really rocked my world but if I don’t do this I’ll only beat myself up more and that yields no good. Besides, finishing this thing is one of the keys to taking the next big step in my career…

Get Hired to Direct – I don’t care if it’s another person’s project or my own, I gotta make this happen. I have to hustle this up for myself. This is mandatory.

Get My Transmedia Project Up & RunningThis is another project that’s just hung in limbo. I now have the HDD I need so there’ll be few excuses for me to not get editing what we’ve shot… but we also need to set up our web presence and strategize our development, following a model similar to THE GUILD (BTW, using “we” just now was not a mistake).

Write a Feature Script – I’ve been working on an idea for a while, now it’s time to develop the outline and then crack open Final Draft.

Develop a TV Pilot – If I’ll be writing another TV spec, I need to have a strong idea for a new show. Here’s where things get a bit tricky. That feature film idea I just mentioned, I think it’d also work as a television show, maybe even be better as a TV show. Unfortunately, I don’t know anything about developing a TV show treatment/pitch and I feel like I owe it to myself to do the feature version first. And heck, if it doesn’t work then I can revamp it as a show ala GLEE. Maybe I should start with my web series idea and just practice serialized short-form storytelling. Maybe you’re wondering why I don’t develop this into a TV pitch? Because it’s raw, crude, funny and skirts the law. How bad to do you want to see my web series now?

And like the rest of the world, I have a laundry list of personal goals. Last year I was rather vague but how about I get specific? This year I’d like to…

  1. Take up a sport.
  2. Use my passport to leave this hemisphere.
  3. Jump out of a plane.
  4. Take a class that isn’t related to filmmaking or computers.
  5. Buy a new acoustic guitar so I can start playing again.
  6. Read four books that have just been sitting on my shelf.
  7. Invest my savings more aggressivly.
  8. Finally go out with Micki.

I’m sure I’ll come up with more but that should occupy my January.

;)

And you? What are your goals?

Timecode Mismatch – 20. June, 2009

I’ve run into a post-production issue and I need to call upon the hive mind for help.

My film was shot on the HVX200 @ 1080/24pA (23.98) and the audio was recorded into a Sound Devices 702T as Wave Files (WAV). We jam synced both devices and also used a timecode (TC) slate. We then fed the audio out of the 702T and back into the HVX200 via the camera’s XLR inputs.

As the footage was transferred from the P2 cards and ingested into Final Cut Pro (FCP), we ended up with clips that had one video track and four audio tracks (a doubling of our stereo audio feed from the 702T, I believe).

clip-timeline

Now, I was always told that I’d need to take my FCP ingested clips, rip out the four tracks of audio, import the original stereo 702T WAV files, sync audio to picture, lock the new clip and repeat until done. Why do this? So I can use the “better” audio.

For anyone that has ever had to sync hours of footage, you know this sucks big time. But that’s why we jam sync the TC; it’s supposed to make this whole procedure less painful. Plus Sam from the Confidence Bay showed me an awesome way to use QuicKeys to cut tens (if not hundreds) of hours out of this process.

Perfect. I’m ready. I’m excited. I’m dying to sync all this footage so I can hand it over to my new kick ass editor.

Just one problem: the audio and image use two different TC counts.

The WAVs use a 24 (23.98) TC count (check out the TC in the top right window).

audio-fr23-hl

audio-fr24-hl

The HVX200 footage, well, that’s a complicated story. If I recall properly, 1080 24pA DVCproHD footage is recorded to the P2 cards as 29.97. Then, in FCP, you ingest using the advanced pulldown setting and TADA, you have 23.98 clips. Unfortunately, what I found is that the 23.98 footage still uses a 29.97 count. I kid you not. A 23.98 clip counts up to frame 29. The TC doesn’t convert to a 24 count.

image-fr29-hl

image-fr30-hl

And here’s the proof that 1) the clip is 23.98 and 2) that the sequence is set to cut 23.98 footage.

image-item-properties-hl

sequence-settings-2398-hl

Do you see my problem? I have one chunk of media that counts from 0-23 and another that counts from 0-29 and I’m supposed to use their respective TC to sync them together. “00:00:00:27″ in the footage is “00:00:01:03″ in the audio. Without resolving this discrepancy in counting, I can’t see a way to have FCP automatically sync the audio and image via TC.

How do I easily resolve this so I don’t spend the next month syncing my footage? Is there a way to resolve this discrepancy without 1) a massive re-ingesting of all the footage or 2) paying for some expensive hardware transcoding? Should I even bother with this now? Is the the audio routed from the 702T to the HVX200 via XLR that much worse than the original WAV files? Would it be simpler to just clone a drive for my editor now and deal with this problem after I’ve locked the cut? This violates the “5 minutes now saves you 5 hours (or days) later” rule I learned from my buddy Ken but maybe this is one where I just have to suck it up and sync the WAVs to the edited picture (that might take a month as well).

Thoughts? Questions? Solutions?

FFD Seeking UCE For Fun Times In Dark Rooms, Possibly More – 10. February, 2009

Before you perverts get all hot and bothered, let me decipher that headline: “First-time Feature Director seeking Up and Coming Editor to (co)edit no-budget feature.”

In the time since I’ve shot my film, I’ve come to realize this – I don’t have the time to edit my film myself. I’m working three job just trying to tread water plus my attention keeps getting diverted to other projects. Also, I need fresh eyes on this film. Yes, I’m a good editor but I don’t think I should be editing my own film. I need an objective opinion, or at least a second opinion. I’m willing to enter a co-editing situation, I just need a kindred soul to help see me through.

So who is my idea candidate? I’m looking for someone cool and by cool I mean chill and intelligent and a good fit for me, my compliment. In short, I’m looking for my Thelma.

thelma_marty.jpg

So if you’re a reader of this blog and we’ve worked together in the past or we went to school or we chatted at a festival or met at a party and you’re an editor, drop me a line.

Note: please don’t repost this w/o my prior consent. This is not an open job listing. I’m strictly looking for folks I know or referrals from peeps I trust. I don’t want everyone and their mother to send me their reels (and yes, I said this is a “no-budget” feature).

Importing HVX Footage into Final Cut Pro – 28. January, 2009

As I’ve had a few requests, I’ve decided to post instructions for importing footage shot w/ the Panasonic HVX200 into Final Cut Pro.  I created this document for my DIT.

For reference:

Lastly, you should know that I culled this from Creative Cow and Shane Ross, an editor I once worked with.

Best of luck.

Adios Worry Beard – 15. December, 2008

In a previous post I introduced you to the Worry Beard. Well, now that I’ve wrapped principal photography, it’s time to lose the Worry Beard.


Adios Worry Beard from Tony Arias on Vimeo.

Finally, I can start post. So, are there any editors out there that wanna help a brother out?

LAST NIGHT wraps principal photography – 9. November, 2008

That sorta says it all. But before I crawl into bed and slumber for a month all the while dreaming of foley sessions, color correction and final mastering, allow me to indulge my sentimentality for a moment.

Thanks to my entire company. Without you, this film wouldn’t have made it into the “digital” can.

Thanks to everyone that opened their home or business to us.

Thanks to my family for their constant support and understanding.

Last but not least, thanks to all my friends. Of the many goals I wanted to accomplish with this endeavor, I wanted a work that bore all of our marks, a work made by those closest to my heart.

But enough of my schmaltz. Time for bed.

SleepyTony.jpg

(And check out my beard!)

Posted in Last Night

Seeking Gaffer November 8 – 5. November, 2008

I’m shooting a half day pick up for my film this Saturday night and I need a gaffer. The set up is simple, the shoot spartan, which is all the more reason why I need a good hand in this position.

gaffer-shirt.gif

Anyone?

Posted in Last Night

Back Up At Bat – 3. November, 2008

Once again I’m supposed to finish shooting my film this weekend. Once again I’m keeping my fingers crossed that FilmLA doesn’t boot me form my location again.

Also, I need a gaffer and an HVX200 for the shoot. Anyone want to make a donation?

Lastly, I’m trying to keep the psychological wear and tear to a minimum but I feel like I’m losing that fight. Say a prayer for me, send me the good vibes or sacrifice a virgin in my honor, you know, whatever is your thing.

:)

Posted in Last Night

The Worry Beard – 24. October, 2008

When I direct, I find that I grow a beard. It isn’t intentional. It sprouts from a lack of time and a natural triage of priorities (do I shave or race back to Film LA to book my location before rushing into a production meeting?).

Still, in an effort to reclaim my life from preproduction hell I’ve decided to name my facial growth.

Say “hello” to The Worry Beard!

I’m gonna grow this sucker until I’ve wrapped principal photography. Watch out Iron & Wine.