Archive for the ‘Industry’ Category

 

I Know How To Make PORTAL The Movie – 31. August, 2011

Awhile ago I saw this psuedo-jokey article listing games that should be made into movies. Well, you know what? I’ve been thinking about how to make a PORTAL movie for a long time and I know how to do it.

Now I’m not gonna give you my entire pitch but I will say that in order to succeed this movie has to be terrifying, funny and cool. You need to feel the character’s fear as she wakes up to find herself a lab rat forced to solve deadly puzzles. You need to laugh when her mechanical torturer spouts off (il)logical conclusions that’d be cold blooded by any human standard. You need to feel that the Portal gun is the coolest thing you’ve ever seen. If people are throwing cake at the screen, you’ve completely failed.

Since Guillermo Del Toro loves to play Portal (and Call of Duty), I wonder if he’d buy the rights? I’m guessing someone already owns the movie rights.

Okay, I’ve got something else on my mind. I keep beating myself up over my lack of output on this blog. For some reason I feel like I have nothing to say here. How many times can I tell you that things are slowly moving forward with my film/writing or that indie filmmaking sucks more than ever or that big Hollywood spectacles are getting dumber? I need something else that’ll help me generate more material on a regular basis, something that’s both personal but that I’m distant enough from. I think I have something, or some things, I might write about. I’ll probably be straying further from writing about my creative process/endeavors, at least until there’s something to report.

Stay tuned… and if you hate where I’m going then I guess you’re free to tune out.

The No-Budget Myth… BUSTED – 25. August, 2011

So I just read this IndieWire article and I have one thought/comment.

BULL-FUCKING-SHIT!

Let’s just take the very basics of what this filmmaker proposes and point out the holes (which are as big as the Grand Canyon). I’m gonna run with his premise of shooting a $5,000 feature in 10 days.

#1 – Write a realistically shootable script. This is good advice. Take it.

#2 – Rent, don’t buy, a camera. Again, good advice. Let’s say you get a camera with a few lenses and a memory card for $100/day. For 10 days that $1,000, so $4,000 left in the budget.

#3 – Pay your crew. He says you should pay a DP/camera operator and a Sound Mixer $100/day each, more if they have their own equipment. Let’s say that they both have their own gear and will do the job for $150/day each. This means we don’t need to rent a camera. Great, our budget is back up to $5,000. At $150/day, for 2 people for 10 days, these two crew positions will cost you $3,000. That leaves $2,000 in your budget.

#4 – Have actors supply their own wardrobe. Again, good advice.

#5 – Sign a SAG Ultra Low Budget Agreement. Okay, so let’s say that’s 2 actors at $100/day. For 10 days that’s $2,000. Congrats, you’ve spent all of your $5,000.

#6 – Get production insurance. A wonderful idea. All my filmmaking friends tell me this’ll cost you around $2,000 but let’s say you get the deal of the century and only have to pay $1,000. You film now costs $6,000.

#7 – Don’t write music into your film unless you own it. Again, another bit of great advice.

#8 – Edit your film yourself. I’m just gonna run with the fact that you probably own your own computer and are gonna use iMovie, which came with your laptop. I’m not even gonna add the cost of getting a hard drive.

#9 – Keep the hours short, the days few and the food delicious. Yes to all three, but how much is that food gonna cost you? Let’s say you’re feeding five people (director, DP, sound and two actors) for 10 days. Let’s say it’s coffee & bagels in the morning, lunch and light snacks throughout the day. But that food has to be “delicious”, right? So I’m gonna optimistically say that a delicious lunch, coffee and snack is gonna cost $20/day per person. That’s $1,000.

Congrats, you’re now $2,000 over budget.

Like I said, BULL-FUCKING-SHIT!

But optimistically (which is really hard for me), you might be able to shoot your film for $10,000, right?

Posted in Directing, Industry

Bigger Not Always Better – 7. March, 2011

Years ago, when I first got a cell phone, I was warned about AT&T and their (lack of) service. I don’t remember my first carrier but I know they either 1) went under or 2) were bought by AT&T. I then switched to Pac Bell but they were soon acquired by AT&T. I stuck with AT&T through the iPhone debacle but the second Verizon sold the iPhone, I jumped ship. Let’s see how this evil empire fares.

But I’m not writing about my cell service. I’m forecasting a trend. G-Technology is my favorite hard drive maker. They were a small shop in Santa Monica, had great customer service and a warranty that couldn’t be beat. Then Hitachi bought them. Okay, they seem good so far.

Now news just broke that Western Digital bought Hitachi making them the largest HDD manufacturer in the world.

Let’s hope they keep G-Tech classy.

Posted in Industry

Oscars 2011 – 2. March, 2011

Just when I thought the Oscars couldn’t get more boring…

Okay, let me be positive. I was f**king stoked that Melissa Leo won; I’ve loved her since her HOMICIDE days. And I loved that she dropped the f-bomb.

But the rest of the show was a snooze fest. Seriously, I was hoping to score some of what Franco was smoking cause I wanted to be in that headspace (yeah, I know it’s a cheap shot but I really did feel how he looked).

On unrelated news, I don’t blog enough anymore so I’m gonna remedy that. In March there will be one post for every weekday of the month (although some might not get published until the weekend because of my schedule). Prepare for 23 blog posts.

Fuck yeah!

(I wanted to drop an f-bomb too)

Posted in Industry

Golden Globes 2011 Nominations – 14. December, 2010

Okay, yeah, it’s been a while since I posted. Sure, I could blame my PS3 and FALLOUT: NEW VEGAS — I’m positive it would be less of a time suck if it weren’t so damn glitchy — but also I got hit by the holiday blues. More like the holidays jumped me in a dark alley, beat the s**t out me with baseball bats and now they’re dragging me behind a dumpsters to really have some fun with me. Yeah, that’s right, I hate the holidays. You hear that Christmas? F**k you and the rest of your winter holiday buddies.

But I digress. The Hollywood Foreign Press Association, or HFPA (doesn’t that sound like an STD?), just announced the Golden Globe nominations. As always, it’s a bewildering mix of high brow films, popcorn flicks and the unexplainable (I’m talking about that unsexy, so-it-thinks-it-can-sing retarded step-sister of SHOWGIRLS. THREE NOMINATION? ARE YOU F**KING KIDDING ME?!).

So, thoughts? Opinions? Violent dissent?

Posted in Industry

Amazon Wants Your Best For Nothing – 24. November, 2010

By now you’ve heard that Amazon wants to start making movies and they’re gonna give everyone a shot? And they’ve got money.

So far, sounds good.

You can either submit a script or a “test film”.

Okay, but WTF is a “test film”? It’s a video rough draft of your film. It has to be at least 70 minutes long and include “great acting and sound but not theatrical-quality production values.”

And then people can vote if they like your stuff.

Ooh, that sounds too much like YouTube and really, who wants a feature film of a fat kid playing with his lightsaber or of a cute kitten getting tickled?

And these people of the internet can also rewrite your script and make it better.

Yes, because that’s how you retain a singular, unique voice.

And once you submit your project, Amazon has an exclusive, free option to your material for up to three years.

What? Help! Fire! Robbery!

Ugh.

Yes, it’s all true. Amazon wants your best ideas, no, scratch that, they want a finished script, or better yet they want you to make the movie, they want to post it on the web, they want other people to rewrite you, they want everyone to vote their opinion, they want to shop your script to Warner Brothers (or anyone else if WB passes) and they want three years of exclusive ownership to your script. And for this they’re gonna pay you zero dollars.

Are they f**king crazy? How is this a good idea?

But what really gets me is that Amazon does all of this while proclaiming itself the new new, egalitarian alternative to Hollywood’s notoriously closed doors. Yes, in the same way that child workers are an alternative to high costs skilled labor. This is just a terrible idea and I don’t see any way I’d ever willingly participate.

Sigh.

Posted in Industry

Sequelitis – 28. October, 2010

So there’s been a slew of big industry news over the last couple of days.

So all of these huge director are making sequels. What the F**K happened to any semblance of originality? Okay, I’ll give passes to Nolan because of INCEPTION, to Jackson because he has directed nothing but duds since THE LORD OF THE RINGS, to Ridley because no one saw GLADIATOR 4, I mean ROBIN HOOD, and to Brad Bird because it’s his first live-action film.

But Cameron? Dude! What possible reason could he have to make two more AVATAR movies? Is it because he didn’t win Best Picture? Does he need more money? Why not CLEOPATRA? Why not BATTLE ANGEL? Christ, I would have rather he hijacked SPIDER-MAN.

Sigh. Maybe I’m just jealous that I don’t have these high class problems.

Still, I make this promise to you: if I’m subtitling AVATAR 2: NOT WITHOUT MY IKRAN in 2014 then I will commit suicide live, on the internet… if we still have an internet in 2014.

(and yes, I’m in a bad mood)

Posted in Industry

Ciao Blockbuster – 23. September, 2010

If you saw the writing on the wall, it should come as no surprise that the Blockbuster video rental chain filed for Chapter 11 today. Personally, while I’m saddened that a lot of people will lose their jobs, many of them folk that love movies or video games, I’m not sorry to see Blockbuster go down in flames. I hated their discrimination against adult orientated films. I’m not talking about porn, I’m talk about the fact that Blockbuster would never carry Henry & June. Also, they had a pitiful selection of independent and foreign films.

But I understand the convenience of gabbing a video as you’re racing from Starbucks to the supermarket so if you’re in the LA area, allow me to offer you some alternatives.

Do you have a local gem of a video store you’d like to recomend?

Filmmaking Isn’t A Job (But It Sure Can Feel Like One) – 2. September, 2010

The other day my friend Abby posted Ted Hope‘s article “The Hard Truth: Filmmaking Is Not A Job” to her Facebook. She asked friends to respond so here I am. Allow me to address what I feel are the major points of Ted’s article.

First, he says we should live to work, not work to live but unfortunately that’s not the case and it’s because we fail to realize the first part of that statement. That’s 100% spot on (you do know happiness is a choice, right?).  Still, filmmaking is gonna feel like a job.  It’s gonna grind you down, no doubt, so I really hope what you’re making is worth it.

Second, he says we should use our labor to deliver the culture we want. I think that’s the answer. Are you sick of movies about transforming mutants bent on destroying America? Then donate your labor to a work that you feel is worthy of sharing with others. S**t, that’s the only way I was able to make my feature.

… right here I want to rant for another three pages but my editor stopped working on my film so it’s off to the salt mines for me.

Posted in Industry

John August Hawking OTMM – 24. March, 2010

If you’ve been following this blog for a while, you know I have a feature film I hope to finish this year. In our day and age, making a film has never been easier (The Believer tells you how to make a $15k feature).

No, the trick these days is getting it seen. If your film doesn’t have bankable stars, a high concept or fall into one of the genre barrios (basically horror or sex thriller) then forget about getting picked up by one of the mini-majors. No, these days you’ll have to distribute it yourself.

Which brings me to John August and the film ONE TOO MANY MORNINGS. This flicked premiered at the Sundance NEXT section for micro-budget films (a few of which had stars) and then the filmmakers did something unique–they released the film via download and DVD the day after their Sundance premiere. Soon John August was blogging about the flick and he even hosted a screening and moderated the Q&A at The Egyptian last week.

So why write about this now? One, I’m curious about the fate of this film. If this works for them I have greater confidence in adopting this model for my film. Two, thanks to John August, the HD download of this film is available for $2 until this Friday. I bought this film because John seems so jazzed about it and you should too. Christ, that’s less than a latte at Starbucks.

And now I sound like I’m preaching so I’m out of here.