Archive for the ‘Directing’ Category

New Goals 2010

Monday, January 4th, 2010

I don’t do New Year’s resolutions but I find it important to have goals and reevaluate them at least annually. Last year I had many goals and like a lot of folk I enjoyed some success and some failure. I know that’s not a very American thing to admit but if you work in the entertainment industry rejection is a fact of life. That’s okay. You just have to take another whack at that piñata. Maybe you’ll hit it dead center, maybe you’ll just graze it but you always gotta take another swing. That’s success. Plus it’s important to bite off more than you can chew.

But enough of the aphorisms, let’s get back on topic. What are my goals for the new year?

Write Another TV Spec – Last year I managed to successfully write a TERMINATOR: THE SARAH CONNOR CHRONICLES spec. It placed in the Austin Teleplay contest, was strongly considered for writing fellowships at both Warners and ABC/Disney and a management company is considering me for representation so only good has come of it (plus it was incredibly fun to write). That’s why I want to write another TV spec. I was planning a DOLLHOUSE but now that it has been canceled I’m down to a couple of options. I feel confident that I could write a strong FRINGE or CHUCK. I have to catch up on watching the 2nd season of both but let me get a show of hands from my readers. As you’ll see on the sidebar of my blog’s homepage, I’ve created a poll asking you which I should write. I’m looking forward to your vote. Also, a free beer to anyone that can draw a tie between those two shows (why is it that I feel I can write either of those particular shows?).

Finish My Feature – It’s embarrassing but my first feature has just been sitting there. Yes, it was a hard 2009 and a personal tragedy late in the year really rocked my world but if I don’t do this I’ll only beat myself up more and that yields no good. Besides, finishing this thing is one of the keys to taking the next big step in my career…

Get Hired to Direct – I don’t care if it’s another person’s project or my own, I gotta make this happen. I have to hustle this up for myself. This is mandatory.

Get My Transmedia Project Up & RunningThis is another project that’s just hung in limbo. I now have the HDD I need so there’ll be few excuses for me to not get editing what we’ve shot… but we also need to set up our web presence and strategize our development, following a model similar to THE GUILD (BTW, using “we” just now was not a mistake).

Write a Feature Script – I’ve been working on an idea for a while, now it’s time to develop the outline and then crack open Final Draft.

Develop a TV Pilot – If I’ll be writing another TV spec, I need to have a strong idea for a new show. Here’s where things get a bit tricky. That feature film idea I just mentioned, I think it’d also work as a television show, maybe even be better as a TV show. Unfortunately, I don’t know anything about developing a TV show treatment/pitch and I feel like I owe it to myself to do the feature version first. And heck, if it doesn’t work then I can revamp it as a show ala GLEE. Maybe I should start with my web series idea and just practice serialized short-form storytelling. Maybe you’re wondering why I don’t develop this into a TV pitch? Because it’s raw, crude, funny and skirts the law. How bad to do you want to see my web series now?

And like the rest of the world, I have a laundry list of personal goals. Last year I was rather vague but how about I get specific? This year I’d like to…

  1. Take up a sport.
  2. Use my passport to leave this hemisphere.
  3. Jump out of a plane.
  4. Take a class that isn’t related to filmmaking or computers.
  5. Buy a new acoustic guitar so I can start playing again.
  6. Read four books that have just been sitting on my shelf.
  7. Invest my savings more aggressivly.
  8. Finally go out with Micki.

I’m sure I’ll come up with more but that should occupy my January.

;)

And you? What are your goals?

Where Is That Webseries?

Wednesday, November 11th, 2009

In a world where the buzzword “transmedia” gets manhandled and tossed around like the proverbial drunk girl at a frat party, every major conglomerate has staked a claim in the digital frontier with a web channel. I’m not talking about reappropriated television shows or their web spin-offs. I’m talking about content created specifically for the web like ANGEL OF DEATH by Crackle or SQUEEGEES by Stage 9.

So why write about Fox and their 15 Gigs? Because of this image:

Ashley-the-Wise-15-Gigs.jpg

It’s from a still-in-development web series from the creator of BURN NOTICE and already I’m dying to see it.  It makes for one hell of a poster but where is the logline and trailer?

But why do I REALLY write this?  I do so because I have a couple of web series ideas but haven’t done much with them. Christ, one idea already has material in the can.

Why tell you? Because I consider public harassment and humiliation a potent form of motivation. Really, it’s inexcusable that we don’t have 1) a website and 2) a PayPal donation button so we can raise the money to buy a RAID so I can edit the stuff we’ve shot. Yeah, that’s all that stands in my way. Lame? Don’t I know it. Am I trying to do something about it? Yes. Therefore, coming soon.

  1. A website
  2. A PayPal donation button
  3. Some videos

Oh, how I love that feeling of pushing myself over the edge. Bring on the gray hairs.

Do You Remember OCCUPIED?

Tuesday, November 3rd, 2009

This tiny film recently celebrated an anniversary.

For all the insiders, do you remember your 2-minute film? Do you remember your shoot? Please share.

I Am Amazon

Friday, September 4th, 2009

And for those that are curious, here is my Amazon spec.

Allow me an indulgence as I send a big shout-out to Dan Billet, Karina Bustillos, Curtiss Frisle and Michael Perkins for lending their voice talent; an extra shout goes to Dan for also acting in the film.  I’d also like to thank Laura Emanuele for all her behind-the-scenes help.

If you’re curious, I posted a debrief where I get into the technical nitty gritty. Also, be sure to leave a comment.

“No” Means “Try Harder”

Thursday, September 3rd, 2009

Before I get bombarded by some womyns group, let me assure you that 1) my momma raised a good boy and 2) I’m talking about perseverance in the film industry.

I know it’s frowned upon to share defeat but it’s the reality of working as a creative in the movie industry. Recently, I suffered two hits.

First, the spec commercial I made for the Amazon “Make-Your-Own-Ad” contest wasn’t chosen for one of the top 5 spots. I have no idea how many entries there were but I would assume a lot of people would take a shot at $20k.

Second, I topped out at the second round of the Austin Teleplay competition. They did send a letter saying that making the second round means I was in the top 10%. Someone even took the time to send me a hand written note with the form letter congratulating my courage for writing on a new show (the recently canceled TERMINATOR: THE SARAH CONNOR CHRONICLES).

Obviously I’m bummed but if I dwell on the negative while trying to hack my way into this industry, I’d have committed suicide a long time ago. No, instead I take great pride in the work I’ve done, add it to the portfolio and move on to the next short (an actress from my Amazon spec pitched me an idea) and spec teleplay (I’m pretty sure it’ll be a FRINGE but I’m considering a DOLLHOUSE or possibly an EASTBOUND & DOWN).

As I say to my colleagues, I must heed as well: Chin up, gather your strength and keep moving forward.

My Summer 2009

Monday, August 31st, 2009

As the summer of 2009 draws to a close, allow me a few minutes to look back at what I did for my summer vacation.

Vacation? Bull! I worked my ass off this summer (and I managed to have some fun, too). What did I do this summer?

  1. I wrote my first TV spec for the now canceled TERMINATOR: THE SARAH CONNOR CHRONICLES.
  2. I found an editor for my feature.
  3. I shot a live-action/stop-motion spec for Amazon.
  4. I went to my first Comic-Con.
  5. I went to my first Tiki Oasis.
  6. I shot the first material for my multi-medium project.
  7. I directed scenes for an actor’s reel.
  8. I saw The Kills, Neko Case, Death Cab for Cutie and Andrew Bird in concert.

I’d say that’s a pretty damn productive summer.

Directing the Scene: That’s a Wrap!

Sunday, August 30th, 2009

The shoot was a success. We got a lot of good coverage with plenty for the editor to work with. It’s a 2-minute scene and we shot 80 minutes; if they can’t dig something out of a 40:1 ratio, I don’t know what.

Still, there’s always room for improvement. Next time I’d insist on walking through set with the actors and DP to nail down our shots and angles so we don’t waste that time on set. Also, we really could have used a few more qualified hands.

As I said before, I’m not editing. If the editor is reading this, you should know that we shot:

  • DVCAM
  • Anamorphic
  • Non Drop Frame
  • 24p (2:3 cadence)
  • Boom into channel 1, On-board Camera Mic into channel 2
  • I can’t wait to see what the final product looks like.

    Now on to something new. I think it’s time to start writing a new feature script.

    Directing the Scene: T-Minus 1

    Friday, August 28th, 2009

    If yesterday was about making a list, today is about checking it twice. Today is about charging the batteries, testing the mixer and microphones, going over the plan with my DP (I wish we could be on set with a couple of stand-ins but that ain’t gonna happen).

    Also, it’s about listening to those tiny, nagging voices. It is because of one of those voices that I sent one of my actors a little bit of background homework and this video:

    F**k the Queen, God grant me a good night sleep.

    Directing the Scene: T-Minus 2

    Thursday, August 27th, 2009

    List, list, list. A film’s prep, no matter how long or short, is dominated by lists. Today I made a couple.

    First, I made a shot list from my crude storyboards. It breaks down like this: each actor gets 4 shots pointed in their direction, plus there’s the wide and at least 2 inserts. Total number of shots = eleven.

    Second, I made a schedule (which is just a list arranged by time). I call us at 8 a.m. and wrap us by 2 p.m., taillights by 3p.m. I give us two hours from call to unload gear, walk through the scene with the cast & crew, light the set, dress the set and rehearse.

    I then have roughly 90 minutes to shoot out each actor. Following the math, that gives us 22.5 minutes per shot on an actor. That’s 22.5 minutes to set up the camera, adjust lights, rehearse the shot, shoot a take, give an adjustment, tweak the lights, shoot, and so on.

    I then leave 45 minutes to shoot the wide and inserts; this is also a buffer in case we’re running late (it shouldn’t take that long to shoot a wide and two inserts).

    I feel confident that this is a doable schedule. We’ll hustle but it won’t be insanity.

    So here’s the question of the day: is it better to shoot the wide at the start of the day or at the end? If we shoot at the start, it can lock us into a particular blocking, blocking we might grow out of. If we shoot at the end, we adjust the wide to the blocking we like but then we have to recall which takes we like. I know, it’s sorta a “chicken, egg” question when all you care about is eating your chicken omelet but these are the things you agonize about during prep.

    Thoughts?

    Directing the Scene: T-Minus 3

    Wednesday, August 26th, 2009

    Today was all about preliminary visuals.

    First, the shooting style. It’s all about long lenses either hand-held or very lose on the tripod. I don’t think we’ll be snapping the zoom ala BATTLESTAR GALACTICA. I think that’s just too edgy for this scene.

    Also, we’re using the Sony DSR-450WSL. We’ll be shooting anamorphic DVCAM 24p. 24pA, with it’s 2:3:3:2 cadence, seems like one unnecessary hoop for the editor to jump through if this is ending up on 1) the web and 2) DVD.

    But I’m willing to hear arguments otherwise.

    I also started storyboarding and of course there are too many shots, at least a dozen if not more. While we are in one location and I know where to put the 180 degree line, that’s a lot to shoot in 3-4 hours when the scene is acting intensive and the client wants as much coverage as possible. One solution is to shoot long takes (2-3 beats per shot) with coverage that evolves. I’m talking about an OTS that becomes a stacked 2-shot and then a close-up. That should help the actors organically build their performance while cutting down on the number of times we have to stop and adjust the camera.

    Still, I wish I could have an hour on set with my actors the day before the shoot so I could walk through all the camera positions but I have a feeling that won’t be possible. So it goes.